- Achim Freyer
Specialization: director, set designer, costume designer
Additional information: Born in 1934. Began as industrial designer, master student of Bertolt Brecht, then stage designer. Presently, he cooperates with Burgtheater Wien, Opera Leipzig, Demut La Monnaie Brussels, Opera National du Rhin Strassbourg, Festival of Schweitzingen, Bavarian State Opera Můnchen, Festival of Salzburg and Teatro Nacionál de Don Carlos Lisbon. He exhibited at the PQ in 1975 and 1979. In 1998 he received the Award of the ITI for the World Theatre Day.
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- Johannes Schütz (Johannes Schuetz)
Specialization: director, set designer, costume designer
Education: studied stage design in Munich and Hamburg
Collaboration with theatres: Schauspielhaus Bochum, Schauspielhaus Düsseldorf
Teaching activities: Professor for scenography at the Centre for Arts and Media Karlsruhe
Continuing collaboration with directors: Jürgen Gosch, Reinhild Hoffmann
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- Hans Aeberli
- Max Bignens
- Jürgen Dreier
- Max Fritzsche
- Ekkehard Grübler
Additional information: Born in 1928 in Berlin. After the Abitur he studied at the Hochschule für Bildende Künste, and at the same time at the Free University of Berlin, where he studied history of art, English and drama. Then he went as an exchange student to Yale University, New Haven, USA, where he studied stage composition under Josef Albers. In 1951 he studied in Salzburg on a scholarship awarded by Harvard University. From 1953 to 1956 he was assistant to and collaborator of Caspar Neher in Berlin, Vienna and Salzburg. In 1956 Harry Buckwitz engaged him for the Städtische Bühnen at Frankfurt, and from 1960 to 1965 he was chief designer in Kassel, where he created important sets under Neugebauer, Herlischka and Christoph von Dohnanyi. From 1965 to 1967 he was chief designer in Frankfurt, where he worked above all on productions by Brecht, on Berlioz's "La Damnation de Faust", and Debussy's "Péleas et Mélisande". From 1967 to 1968 he worked under Egon Monck in Hamburg, and also as guest designer for Rudolf Liebermann. From 1969 he has been chief designer at the opera of the Städtische Bühnen Frankfurt. He has had commissions as guest designer in Salzburg, Vienna, Munich, and Recklinghausen. He has repeatedly worked for television, including the first colour production of Peter Weiss's "Marat/Sade".
- Kurt Halleger
Additional information: Born in 1901 in Mährisch-Schönberg. Painter and stage designer. Trained under Otto Mueller in Breslau, and then at the Kunstakademie in Vienna and Prague (under Professor Thiele). From 1926 to 1946 he worked as a freelance painter in Prague and at the same time he was cartoonist for SIMPLICISSIMUS. His carreer as a stage designer started when he was appointed chief designer of the Städtische Bühnen Nuremberg. In 1962 he received in Paris the "Prix des Nations" for the best stage design. For a long time he was employed by the Staatstheater Munich and also worked as guest designer with many notable theatres both within Germany and abroad. He contributed paintings, drawings and stage design sketches to exhibitions in Athens, Berlin, Brussels, Sao Paulo, Prague, Strassbourg, Zurich. He died on the lOth of October 1963 in Munich.
- Dominik Hartmann
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Exhibiting works
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A. P. Čechov: (The Seagull),
SWF
1963, Director: B. Herlischka,
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A. P. Czechov: (The Cherry Orchard),
Scholssparktheater
1961, Director: B. Herlischka,
- Ottowerner Meyer
- Hans Heinrich Palitzsch
- Jürgen Rose
- Rolf GLITTENBERG
- Moidele BICKEL
- Ilona Freyer
Additional information: Born in 1944 at Dessau. For a period of three years she did practical work at the work- shops of the Deutsche Staatsoper in Berlin. Between 1965 and 1970 she studied stage design art at the College of Plastic and Applied Arts in Berlin Weissensee under prof. Heinrich Kilger. Since 1971 she acts as stage designer at the Berliner Ensemble.
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- Gaby FREYOVÁ
- Lore HAASOVA
- Paul HAFERUNG
- Hein HECKROTH
- Karl-Ernst Herrmann
Additional information: Born in 1936 in Neukirch/Lausitz. After studying for three years at the Meisterschule für Kunsthandwerk (in the weaving class) in he studied from 1955 to 1960 under Wolff Hoffmann and Willi Schmidt at the Hochschule für Bildende Kunste in Berlin. From 1960 to 1961 he had his first engagement in Ulm, and from 1961 to 1967 he was a member of the stage design team with Hübner/Zadek/Minks at the theatre in Bremen. From 1968 to 1970 he was at the Staatstheater Braunschweig, and since 1970 he has been a member of the cast of the Schaubühne am Halleschen Ufer in Berlin. He has recently become famous for his designs for Peter Stein's production of Ibsen's "Peer Gynt".
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- Rolf CHRISTIANSEN
- Hanna JORDANOVÁ
- Götz LOEPELMANN
- Adolf MAHNKE
- Peter PABST
- Ernst SCHÜTTE
- Robert STAHL
- Joachim STREUBEL
- Edward SUHR
- Roman Weyl
Additional information: Born in 1921 in Mainz, and is the son of the stage designer Hans Weyl. He was a trainee theatre painter at the Staatstheater Kassel, and studied stage design under Professor Mahnke in Dresden. In 1943 his first engagement was with the Theater am Schiffbauerdamm in Berlin, where he has been chief designer since 1950. In 1953 he did his first work for television, and in 1954 was chief designer of the Volksbühne in Berlin. From 1951 to 1958 he gave a series of lectures at the Humboldt University Berlin (DDR). Since 1961 he has worked freelance for various theatres. In 1959 he won the State Prize for Artists of the DDR.
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- Erich WONDER (Erich Wonder)
Specialization: jury
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- Wolfgang ZNAMENACEK
