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1987 » Romania » Stage and costume design

Rumunsko

The main purpose of stage design, as an art which expresses the world by creating images of life's fragments, is at present fulfilled above all when scenographie approaches are defined by the specific status of stage design within the framework of the fine arts. If we carefully study various stage design concepts, in the same way as other creative work by artists in other areas of the fine arts are studied, we can discover this basic approach in the most unexpected manner by which everything surrounding us is formed, whether it should be a street, a shop, a museum, an interior decoration or architecture outdoors. And it is precisely this specific and unique approach which we find in the work of some stage designers who by carrying out a synthesis, in fact create their own, new world. It is an approach which cannot be learnt, an approach which the artist is born with and which comes into its own at the moment of maturity, when the creator acquires his or her own artistic profile, his or her own „manuscript". The work exhibited in our exposition has been subjected to these criteria; it is testimony to the above indicated approach to stage designs. We find a specific scenographical approach in the theatrical architecture and stage designs of Paul Bortnovski and Liviu Ciulei, we encounter it also in the stage designs of Vasile Rotaru and Ion Popescu-Udriste, as well as the costume designs by Doina Levinta, the buildings of Viorel Penisoará and Romulus Fenes, the scenography of Emilia Jivanov and Dan Jitianu. If we attempt to newly define the meaning of specifically scenographie approaches, which we consider to be the indispensable prerequisite for the creation of dramatic action, then we come to the conclusion that the theatre of the future requires a new type of „stage director and designer", who creates the atmosphere of the production, who strives through dramatic structure towards an ideal and organic interpretation of the form and content of the production to achieve the natural expression of the whole creative team, based on the ideas of the play’s text. It is the correctly interpreted structure of a dramatic work which accepts stage design elements as prerequisite, which creates the conditions for a valuable work of art. Thus in the future stage directors will strive for the implementation of an „universal stage structure", subordinated to the purposeful development of dramatic effect


Exhibiting artists / ateliers

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  • Dan Jitianu
  • Mihail Madescu (Mihai Madescu)
  • Ion Popescu-Udrişte
  • Theodor Ciupe
  • Doina Levinta
  • Vasile Rotaru
  • Traian Niţescu
  • Onisim Colta
  • Romulus FENEŞ
  • Emilia JIVANOV
  • lulia Mantoc (Iuliana Mantoc)
  • Viorel STEGARU PENIŞOARA
cz / en