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THE INTERNATIONAL EXHIBITION: Countries and Regions
An exhibition of a thousand theatre artists from 60 countries and regions.
SHAREDSPACE 2013- 2016
Art and research project presents symposiums, workshops or exhibitions in 11 countries.
OBJECTS
Objects and their stories – this is the main theme of “Objects”, an exhibition open to individual artists.


2007 » Mexico » National section
Curator: | Jorge Ballina, Jorge Ballina |
Authors of Theme: | Jorge Ballina, Alejandro Luna,, Philippe Amand, Tolita & María Figueroa., Philippe Amand, Tolita & María Figueroa. |
Designer / Architect of exhibition: | Jorge Ballina |
Other collaborators: | Mireille Bartilotti & Francis Palomares |
Institution: | Instituto Nacional de Bellas Artes, Consejo Nacional Para la Cultura y las Artes |
“De Chile, de Dulce y de Manteca”
De Chile, de Dulce y de Manteca literally means something along the lines of “(made) of chile, of sweet and of lard” or “hot, sweet and fat”. This popular Mexican expression is often used to talk about the diversity of something. The words originally described the variety of tastes, colours and textures one can find in that most classic Mexican dish, the tamale (or “tamal,” from the Aztec tamalli). Tamales are packets of corn dough with many different kinds of filling and are typically wrapped and tied in corn husks or banana leaves. The packets are cooked inside a large tin cylinder that is used as a steamer. The tamal was born in pre-Hispanic Mexico. The Spaniards were served tamales by the Aztecs on their first visits to Mexico, and shortly after, European ingredients were incorporated into the recipes. Today, as with most Mexican food, the possibilities are infinite and each region of Mexico has it’s own specialties. The corn can be mixed with fresh pork lard, butter or vegetable shortening. The filling can be anything from beans, to fish, chicken, beef, pork, eggs, even dove breast, alligator tail or iguana. The flavors go from the sweet: made of fruit, cinnamon, rum, and raisins; to the spicy: with Mole made of different kinds of chile and sometimes chocolate. Tradition links the tamal with religious festivities, and it’s associated with aphrodisiac to therapeutic properties. Mexican theatre and, in particular, Mexican theatre design, is de chile, de dulce y de manteca. It is diverse and eclectic. Like the variety of tamales, each work tastes different. Each work has a unique flavor, color, shape and size. Each work takes a different mixture of space, light, shapes, sounds, words and movement as ingredients. From the steamer of collaboration, a mysterious, alchemical process is produced, and the unique components fuse into an indivisible whole.
Exhibiting artists / ateliers
[show all | hide all]- Jesús Hernández (Jesus Hernandez)
- Antonio Zuniga: Pancho Villa y los Niños de la Bola (Pancho Villa and the Children of the Revolution), Carpa Alborde Teatro (Carpa Alborde Teatro), 2005, Director: Rodolfo Guerrero, , Sergio Ruiz - Costume Design
- Alejandro Luna
- Lars Noren: Blod (Blood), Foro Sor Juana Ines de la Cruz, UNAM, Línea de Sombra (Foro Sor Juana Ines de la Cruz, UNAM, Linea de Sombra), 2004, Director: Jorge Ballina Vargas, , Tolita and María Figueroa - Costume Design
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E.T.A Hoffman, Pietr Ilyich Tchaikovsky: El Cascanueces (The Nutcracker),
INBA. Instituto Sonorense de Cultura. Universidad de Sonora
( INBA. Cultural Institut of Sonora. University of Sonora),
2005, Director: Adriana Castaños, , Tolita y María Figueroa - Costume Design
- Williame Shakespeare: El Rey Lear (King Lear), Teatro Julio Castillo, Compañía Nacional de Teatro, INBA (Teatro Julio Castillo, National Company of Theatre, INBA), 2005, Director: Jose Caballero, , Tolita y María Figueroa - Costume Design
- Williame Shakespeare: Hamlet (Hamlet), Project Hamlet Asociation, Colombia (Project Hamlet Asociation), 2005, Director: Martin Acosta, ,
- Tolita y María Figueroa (Tolita & María Figueroa)
- Williame Shakespeare: Hamlet (Hamlet), Asociación proyecto Hamlet, Colombia (Project Hamlet Asociation, Colombia), 2005, Director: Martin Acosta, , Alejandro Luna - Set and lighting Design
-
Ximena Escalante: Unos Cuantos Piquetitos (A Few Small Nips),
World Music Theatre Festival. Amsterdam. Netherlands
(World Music Theatre Festival. Amsterdam. Netherlands),
2006, Director: Mauricio Garcia Lozano, , Federico Márquez Padilla, , ;
Comments: Tolita and Maria Figueroa: Costume & Prop Design
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Jose Zorrilla: Don Juan Tenorio (Don Juan Tenorio),
Teatro Julio Castillo, Compañía Nacional de Teatro, INBA
(Teatro Julio Castillo, National Company of Theatre, INBA),
2003, Director: Martin Acosta, , Alejandro Luna - Set and lighting Design
-
Williame Shakespeare: El Rey Lear (King Lear),
Teatro Julio Castillo, Compañía Nacional de Teatro, INBA
(Teatro Julio Castillo, National Company of Theatre, INBA),
2005, Director: Jose Caballero, , Alejandro Luna - set design ;
Comments: King Lear
Král Lear
El Rey Lear
William Shakespeare
Teatro Julio Castillo, Compañía Nacional de Teatro, INBA
Teatro Julio Castillo, National Company of Theatre, INBA
Divadlo Julio Castillo, Společnost Národního divadla, INBA
Mexico City
Mexico City
2005
Jose Caballero
King Lear
Král Lear
El Rey Lear
William Shakespeare
Teatro Julio Castillo, Compañía Nacional de Teatro, INBA
Teatro Julio Castillo, National Company of Theatre, INBA
Divadlo Julio Castillo, Společnost Národního divadla, INBA
Mexico City
Mexico City
2005
Jose Caballero
- Humberto Spíndola (Humberto Spindola)
- Alvise Giusti: Motezuma (Motezuma), Rococo Theatre of Schewtzingen (Rococo Theatre of Schewtzingen), 2006, Director: Martin Acosta, , Andreas Rinkes - Lighting design
- Claudio Valdés Kuri (Claudio Valdes Kuri)
- Claudio Valdés Kuri, Maricarmen Gutierrez: Dónde estaré esta Noche? (Where Will I be Tonight?), Teatro Prinicpal, Festival Internacional Cervantino (Teatro Principal, Festival International Cervantino), 2004, Director: Claudio Valdés Kuri, , Matías Gorlero - Lighting design, Igor Lozada - Associate. Set design, Maria Rosa Manzini - Costume design
- Cordelia Dvorák
-
Witold Gombrowicz: Yvonne, Princesa de Borgoña (Princess Ivona),
Teatro Helénico
(Theatro Helenico),
2003, Director: Sylvia Ortega, , Sylvia Ortega - Set Design, Felix Schoeller - Lighting Design
- Copi: Trilogía Copí (Copi Trilogy), Teatro Orientación, INBA FIC (Teatro Orientacion, INBA. FIC.), 2003, Director: Daniel Gimenez-Cacho, , Catherine Marnas, , Carlos Calvo, , Gabriel Pascal - Set and lighting Design
- Jerildy Bosch
-
Henrik Ibsen: Peer Gynt (Peer Gynt),
Foro Sor Juana Inés de la Cruz, UNAM
(Foro Sor Juana Ines de la Cruz, UNAM),
2006, Director: Carlos Corona, , Tolita and María Figueroa - Associate. Costume Design, Auda Caraza Atenea Chavez - Set Design, Matías Gorlero - Lighting Designer
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Raul Parrao: Don Bizarro Hidalgo el Quixote y otros mundos (The Bizarre Knight, Don Quixote from other worlds),
Teatro de las Artes, CENART
(Teatro de las Artes, CENART),
2005, Director: Raul Parrao, , Víctor Zapatero - Lighting Design, Dadvian López - Set Design
- Eloise Kazan
-
Alicia Sanchez: Fuera de tiempo (Out of Synch),
Queens Theatre in the Park, Latino Cultural Festival & FONCA
(Queens Theatre in the Park, Latino Cultural Festival & FONCA),
2003, Director: Alicia Sanchez, , Juliana Feasler - Lighting Design
-
Oscar Ruvalcaba: Carlota, la del Jardín de Bélgica (Carlota, the one from the Garden of Belgium),
Sala Miguel Covarrubias, UNAM
(Sala Miguel Covarrubias, UNAM),
2003, Director: Oscar Ruvalcaba, , Javier Rodriguez - Lighting Design
- Philippe Amand
-
Bertolt Brecht: La honesta persona de Sechúan (The Good Person of Setzuan),
Teatro Caltzontzín - INBA IMC
(Theatre Caltzontzin - INBA IMC),
2003, Director: Luis De Tavira, , Alberto Rosas, , Sergio Ruiz - Costume Design
-
Marie Jones, Sabina Berman: Extras (Stones in His Pockets),
Teatro Julio Castillo - INBA, UNAM, FONCA
(Theatre Julio Castillo - INBA, UNAM, FONCA),
2003, Director: Sabina Berman, , Ruby Tagle - Coreography
- Luisa Josefina Hernandez: Ultramar (Overseas), Teatro Orientación, INBA. FIC. (Teatro Orientacion, INBA. FIC.), 2005, Director: Rosenda Monteros, , Tolita and María Figueroa - Costume Design
- Šigeo Okajima
- Richard Wagner: Der Ring des Nebelungen - Das Rhinegold (Ring cycle I- Das Rhinegold), Palacio de Bellas Artes, FCH, C. Nal. Opera (Palacio de Bellas Artes, FCH, National Opera), 2003, Director: Sergio Vela, , Guido Maria Guida, , Violeta Rojas - Costume Design, Víctor Zapatero - Lighting Design, Jorge Ballina Garza - Mask Design
-
Pilar Urreta, Jorge Torres: El Evangelio de Myriam (Myriam's Gospel),
Teatro de las Artes -Festival Música y Escena.
(Teatro de las Artes -Music and Scene Festival.),
2004, Director: Pilar Urreta, , Erika Jasso - Lighting Design, Juan Larios - Costume Design
-
Neil LaBute: Por Amor al Arte (The Shape of Things),
Teatro Orientación. INBA
(Teatro Orientacion. INBA),
2004, Director: Antonio Serrano, , Mariestela Fernández - Costume Design
- Richard Wagner: Der Ring des Nebelungen - Die Walküre (Ring cycle II- Die Walküre), Palacio de Bellas Artes, FCH, C. Nal. ópera (Palacio de Bellas Artes, FCH, National Opera), 2004, Director: Sergio Vela, , Guido Maria Guida, , Violeta Rojas - Costume Design, Víctor Zapatero - Lighting Design, Jorge Ballina Garza - Mask Design
- Richard Wagner: Der Ring des Nebelungen - Siegfried (Ring cycle III - Siegfried), Palacio de Bellas Artes. FCH, C. Nal. de ópera (Palacio de Bellas Artes, FCH, National Opera), 2005, Director: Sergio Vela, , Guido Maria Guida, , Violeta Rojas - Costume Design, Víctor Zapatero - Lighting Design, Jorge Ballina Garza - Mask Design
- Richard Wagner: Der Ring des Nebelungen - Götterdämmerung (Ring cycle IV- Götterdämmerung), Palacio de Bellas Artes, FCH, C. Nal. ópera (Palacio de Bellas Artes, FCH, National Opera), 2006, Director: Sergio Vela, , Guido Maria Guida, , Violeta Rojas - Costume Design, Víctor Zapatero - Lighting Design, Jorge Ballina Garza - Mask Design
- Sergio Villegas
-
Anya Hilling, Luis Ayhllon: Mi Pobre Corazón Idiota / La Nueva Familia (My Young and Foolish Heart / The New Family),
Teatro El Granero, Dramafest, INBA, Goethe Institute
(Teatro El Granero, Dramafest, INBA, Goethe Institut),
2006, Director: Hugo Arrevillaga, , Christina Paulhofer, , Bertha Romero - Costume design
-
Cutberto Lopez: Yamaha 300 (Yamaha 300),
Foro Sor Juana Ines de la Cruz, UNAM, Línea de Sombra
(Foro Sor Juana Ines de la Cruz, UNAM),
2006, Director: Antonio Castro, , Mauricio Ascencio - Costume design
- Mónica Raya (Monica Raya)
-
Williame Shakespeare: Noche de Reyes (Twelfth Night),
Teatro El Galeón, INBA
(Teatro El Galeón, INBA),
2004, Director: Ludwik Margules, , Beatriz Russek - Costume design
-
Ximena Escalante: La Piel (The Skin),
Foro Sor Juana Inés de la Cruz, UNAM
(Foro Sor Juana Ines de la Cruz, UNAM),
2006, Director: Claudio Valdés Kuri, , Miguel Angel Gaspar, ,
-
Nikolai Gogol: El Capote (The Overcoat),
Sala Xavier Villaurrutia, INBA
(Sala Xavier Villaurrutia, INBA),
2005, Director: Antonio Castro, ,
Specialization: architect, set designer, lighting designer
Education: Architect
Teaching activities: Couching Stage for Set Designers, Theatrical Space for Actors
Participation in other important exhibitions: National Festival of Theatre, Pachuca, Mexico 2006
Exhibiting works
* 1939
Specialization: architect, set designer, lighting designer
Education: Architect
Teaching activities: 1968 - 2007
Participation in other important exhibitions: Novisad
Additional information: He is one of the most versatile and acclaimed scenic and lighting designers in Mexico. His 40 years of pro-fessional experience cover a wide range of freelance work in architecture and theater design. As an architect he has designed several theatres, and designed tho sets and lights of mora than two hundred plays and twenty operas throughout Europe, Asia, North and South America. He has also designod seven feature films, as well as TV series and danco. Ho was a director of The-ater Design at the National Autonomous University of Mexico and later Head of tho Thoatro Department of tho National Institute of Fine Arts. Luna has boon awarded several national and international prizes.
He ehibited at PQ in 1975.
PQ 03 - Member of the International Jury.
Distinguished Artist Award 2004,
National Award in Arts 2001. Doctor Honoris Causa by the UABC.
Exhibiting works
Education: Tolita received a Master's degree in History and Stage Design. Maria studied Restoration in Florence and Graphic design
Collaboration with theatres: INBA and UNAM
Teaching activities: Tolita has been tutor in costume and stage design.
Participation in other important exhibitions: Tolita participated in the Film Location Expo and Maria participed in Illustrators NOMA, Japan.
Continuing collaboration with directors: Sergio Vela (opera), J. J. gurrola, Jesusa Rodríguez, Martín Acosta
Awards: Tolita won the fisrt place in the Film Location Expo, Price in Production Design in Cronos Device and a prize for costum
Additional information: They have designed around 92 works for opera, cinema, dance, and theatre (costume, make up, props) and won 22 awards, and have been sponsored 3 times by the Mexican Govermment.
Exhibiting works
Education: Economist. Art: Self Taught
Additional information: He only works with silk paper
Exhibiting works
Education: Film direction, acting, early music
Collaboration with theatres: Teatro de Ciertos Habitantes
Additional information: www.ciertoshabitantes.com
Exhibiting works
Education: Studied music at the Conservatory in Munich; studied history of art, litearture and theatre in Paris and Munich
Collaboration with theatres: Theatre de la Sphère Paris; Piccolo Teatro de Milano, Kammerspiele München. TamsTheater: Munich, Staatstheater Stuttgart
Teaching activities: In colaboration with the German Goethe Institute: Seminary about: Visual dramaturgy, at the:L’oiel du silence, Toulouse.
Continuing collaboration with directors: A.Sicco, G.Strehler, W.Kamer, E.González, M.Espinosa, L.Silbermann, A.F.Mor, S.Ortega, L.Romero, D.Jimenez Cacho.
Awards: Special mention Classique en image, Paris; Prix tcheque, Prague d’or; Gold Medal Best film at the International Filmfest
Exhibiting works
* 1975, Mexico City
Specialization: costume designer
Education: Self-instructed in costume design.
Collaboration with theatres: Constantly active in the leading theatres of Mexico.
Continuing collaboration with directors: She works with theatre and opera directors of her generation.
Additional information: Costume designer for more than 80 productions, including opera, theatre and dance. She is currently part of the National System of Art Creators of the National Fund for Culture and Arts.
Exhibiting works
Education: Painting at the San Carlos Academy of Fine Arts in Mexico City. Graduated from the Bristol Old Vic Theatre School desig
Collaboration with theatres: Teatar ITD, Teatro UNAM, Danza UNAM
Teaching activities: In 2000 directed a set and costume design workshop at the National Arts Centre (CNA) Theatre School in Mexico City.
Continuing collaboration with directors: Daniel Giménez Cacho, Sergio Vela, Mauricio García Lozano, Alicia Sánchez, Alejandra González Anaya, Gerardo Hernández.
Additional information: Production designer, art director & costume designer on short films, such as the award-winning The Other American Dream; designed costumes for feature film Resisting Life.
Exhibiting works
* 1965, La Habana, Cuba
Specialization: architect, set designer, lighting designer
Education: Set and Lighting Design in Drama at the Núcleo de Estudios Teatrales, Mexico City
Collaboration with theatres: National Company of Theatre of México, Teatro UNAM and Theatres of the National Institute of Fine Arts of México. INBA
Teaching activities: Scenography: San Carlos Academy of the National Autonomous University of Mexico
Participation in other important exhibitions: World Stage Design, Toronto 2005
Continuing collaboration with directors: Luis de Tavira, Martín Acosta, Mario Espinosa, Corrado Rovaris,Robert Driver, Enrique Singer.
Awards: Gold Medal for Best Lighting Designer, World Stage Design Toronto 2005
Additional information: Amand studied stage and lighting design under Alejandro Luna, and directing under Ludwik Margules and Julio Castillo in the Nucleo de estudios teatrales school in Mexico City. He created the main set and lighting designs for the National Theatre. In 2000 the National Council of Culture granted him the distinction of National Creator of Art.
He is a Member of the National System of Creators of Art.
Website: homepage.mac.com/pamand/
Exhibiting works
* 1927, Tokyo
Specialization: set designer
Additional information: Set designer, collaborating with Tokyo Engeki Ensemble. He participated in PQ 1983, 1987, 1991.
Exhibiting works
Specialization: set designer, lighting designer, scenographer
Education: BFA in theatrical production arts from Ithaca College, NY and London (June 2001). MFA from Yale School of Drama, New Haven/USA (June 2004)
Collaboration with theatres: Mexico´s Biecentennial Celebrations, Teatro UNAM, Teatro INBA, Centro Cultural del Bosque, Teatro Insurgente, OCESA Teatro,
Teaching activities: Adjunct Professor at the National Autonomous University of Mexico
Participation in other important exhibitions: 2004 Clambake, Lincoln Center for the Performing Arts, New York City.
Continuing collaboration with directors: Benjamín Cann, Lorena Maza, David Hevia, Keath Batten, José Lopéz Velarde, Ric Birch
Additional information: www.sergiovillegas.com
Exhibiting works
* 1965, Mexico City
Specialization: architect, director, producer, theatre theoretician, teacher, set designer, costume designer, lighting designer, scenographer, curator, jury
Education: PhD in Arts
Collaboration with theatres: J. F. K. Center of Arts, Gala Hispanic Theatre, Arizona Theatre Company, International Cervantino Festival. She has been the artistic director of Theatre at the National Autonomous University of Mexico (2004-2010).
Teaching activities: Full-time professor at the National Autonomous University of Mexico.
Participation in other important exhibitions: Costume at the End of the Century, Moscow 2015
Continuing collaboration with directors: Johan Kresnik, Ludwik Margules, Sergio Vela, Miguel Angel Gaspar, Antonio Castro
Awards: Gold Medal in Costume Design, World Stage Design, Toronto 2005. Outstanding Scenographer Gold Medal World Stage Design, Seoul 2009.
Additional information: She has designed more than 120 productions. She won the Gold Medal for Costume Design at the WSD 2005 and for Outstanding Scenographer at the WSD 2009. www.monicaraya.com
Exhibiting works
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