The great tradition of Irish theatre is a literary tradition. From Farquhar to Friel by way of Sheridan, Wilde, Shaw, O’Casey, Beckett: a vast and internationally significant body of work. It’s a vibrant and living tradition too, with strong new voices continuing to sound on the Irish stage. This is the work for which Irish theatre is best known. The new millennium has seen a 0remarkable surge in the performance of works from the other great historical traditions of theatre. From the Greeks to the Japanese, works seldom or never before seen in Ireland are being staged, often in new versions by Irish writers. The late 20th century saw the great canon of European theatre mostly unperformed, with the significant exceptions of Ibsen and Chekhov. Even Shakespeare had surprisingly few professional productions. It seems as if Ireland is only now claiming the rich heritage of world theatre as its own. This exploration has been of great significance to Irish scenography, as the traditional form of Irish theatre has been naturalism. In staging works from other traditions, there has been a freer approach, from re-invention in an Irish context to total deconstruction. And this has not been merely a reaction to previous styles of performance or scenography - many of these productions have had no precedent in Ireland at all. Inevitably this experimentation has fed back into the mainstream, and some of the most significant work of the past five years has involved a re-examination of the Irish canon, being, in some cases, are-invigoration of plays that had atrophied through over-familiarity. New approaches in scenography have been particularly significant here. One may speculate on reasons for all this – the emergence of the first generation of theatre practitioners from the drama schools; the sudden growth in the number of theatres and companies; increased contact with other forms of theatre; political and social change. But one factor can be safely excluded – the influence of any particular school of scenography – as there is still no full-time course in any aspect of theatre design in Ireland. An introduction such as this is given to sweeping, contestable generalisations. Visitors to the exhibit – Ireland’s first ever at PQ – will observe, comment, criticize and reach their own conclusions.
- Ferdia Murphy
Specialization: teacher, set designer, costume designer
Exhibiting works
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Richard B. Sheridan: School for Scandal (School for Scandal),
The Abbey Theatre
(The Abbey Theatre),
2006
- Suzanne Keogh
Specialization: set designer
Exhibiting works
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Tom Swift: The Yokohama Delegation (The Yokohama Delegation),
The Performance Corporation, Kilkenny Arts Festival
(The Performance Corporation, Kilkenny Arts Festival),
2005, Director: Jo Mangan, , Sinead O' Hanlon - Set Design, Nanette - Choreographer
- Alan Farquharson
Specialization: set designer, designer
Exhibiting works
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Riordana Bell Helicopter: The Unlilely Frequence (The Unlikely Frequence),
Rough Magic Theatre Company
(Rough Magic Theatre Company),
2004
- Aedin Cosgrove
Specialization: set designer, costume designer, lighting designer
Additional information: She is co-artistic director of Pan Pan Theatre, which she founded in1991 with Gavin Quinn. Designs include: The Rehearsal Playing the Dane (2010), All That Fall and Embers by Samuel Beckett (2012 & 2013) and A Midsummer’s Night Dream (2015).
- Val Sherlock
* 27.10.1963, Dublin
Education: Trained through practice
Collaboration with theatres: Druid (Galway), Rough Magic (Dublin), CoisCéim Dance Theatre (Dublin)
Teaching activities: Theatrical Wigs and make-up, VEC Inchicore, 1999-2003
Continuing collaboration with directors: Garry Hynes, Lynne Parker
- Ivan Birthistle & Vincent Doherty
Dublin and Drogheda, Ireland
Education: Neither have formal education in sound or music
Collaboration with theatres: Bedrock, Fishamble, Semper Fi and Arambe theatre companies and new relationships with the Peacock and Lyric theatres
Continuing collaboration with directors: Jimmy Fay, Jim Culleton, Karl Shiels, Bisi Adigun
- Rupert Murray
* 03.02.1951, Bath, UK
Education: Degree in Psychology, History & Economics from Trinity College Dublin
Collaboration with theatres: His lighting design for Riverdance continues all over the world. Waiting for Godot (Gate) on tour in Australia, 2007
Additional information: Rupert Murray was one of the most gifted lighting designers to have worked in Ireland in last 50 years. Rupert died on the 17th August 2006.
- Davy Cunningham
* 22.10.1952, Edinburgh
Education: BA (Hons) in Philosophy, University of Stirling, Scotland
Collaboration with theatres: Druid (Galway), Gate Theatre (Dublin), Edinburgh Lyceum, Bregenz Festival (Austria), Vlaamse Opera (Belgium)
Continuing collaboration with directors: Garry Hynes, Guy Joosten, Mark Thompsom, David Pountney, Stein Winge, Philip Himmelmann
- Joan O’Clery
* 21.02.1966, Ireland
Education: Trained in tailoring, and as a Costume Maker
Collaboration with theatres: Has close association with The Abbey Theatre, Dublin
Continuing collaboration with directors: Conall Morrison (Macbeth, Royal Shakespeare Company)
Additional information: Recipient of two Best Costume Design Irish Times Theatre Awards, in 1997 for Pinter Festival at the Gate Theatre, Dublin, and in 2002 for "Lolita" at the Peacock Theatre, Dublin.
Exhibiting works
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Sofokles: (Funeral in Theban),
0
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Oscar Wilde: The Importance of Being Earnest (The Importance of Being Earnest),
The Abbey Theatre
(The Abbey Theatre),
2005
- Andrew Clancy
* 31.07.1968, London, UK
Education: Studied Sculpture at the National College of Art and Design, Dublin
Collaboration with theatres: Pan Pan and Opera Theatre Company, Dublin
Teaching activities: National College of Art and Design 1992-2001
- Joe Vaněk
* 21.04.1948, Leamington Spa, UK
Education: B.Ed.Hons Art History and Drama Education, Sussex University, England; MA Theatre Design, Manchester University, England
Collaboration with theatres: Abbey Theatre, Gate Theatre, Landmark Productions; Design Associate with Wexford Festival Opera
Teaching activities: Trinity College Dublin (Drama), University College Dublin (Drama), Dun Laoghaire Institute of Art, Design & Technology
Continuing collaboration with directors: Michael Barker-Caven, Lee Blakeley, Flemming Flindt, Patrick Mason
Additional information: Born 1948 in Royal Leamington Spa. He has cooperated with Welsh National Opera.
Exhibiting works
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Conrad Susa: (Metamorphoses),
The Theatre Royal
(The Theatre Royal),
2006 ;
Comments: Woxford Festival, Opera
- Francis O'Connor
* 26.10.1964, Teeside
Specialization: set designer, costume designer
Education: Studied Theatre Design at Wimbledon School of Art under Richard Negri
Collaboration with theatres: Ireland: Druid Theatre (Galway), Gate and Abbey Theatres (Dublin). UK: RNT, RSC and Young Vic. Scotland: Royal Lyceum
Continuing collaboration with directors: Garry Hynes (Druid), Martin Duncan, Conall Morrison, David Lan and the Young Vic
Additional information: He works extensively with Royal Ballet Education Department.
Exhibiting works
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John Millington Synge: DruidSynge (DruidSynge),
Druid, Town Hall Theatre
(Druid, Town Hall Theatre),
2005
- Marcus Costello
* 18.06.1965, Drogheda, Co. Louth
Education: BA Hons (Theatre Studies) Trinity College Dublin, 1997
Collaboration with theatres: Storytellers, Upstate Theatre Project, Ouroboros, Dublin Fringe Festival
Continuing collaboration with directors: Liam Halligan (Storytellers)
- Sabine d'Argent
* 11.03.1969, Saint Mande, France
Education: General Art School from age of 14. Textile Design MA. Work experience, Cartoucherie De Vincennes & Théâtre de Chatillon
Collaboration with theatres: Fishamble, TEAM, Storytellers, all in Dublin
Continuing collaboration with directors: Conall Morrison, Mikel Murfi, Pat Talbot
Exhibiting works
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Henrik Ibsen: Ghosts (Ghosts),
Lyric Theatre
(Lyric Theatre),
2003
- Kathy Strachan
* 23.11.1962, Scotland
Education: Central St. Martins College of Art & Design, London
Continuing collaboration with directors: Garry Hynes (Druid Theatre Company), Lynne Parker (Rough Magic Theatre Company)
- Patsy Giles
Offaly
Education: Trained as Hairdresser and Beauty Therapist; also studied in National College of Art & Design
Collaboration with theatres: Abbey & Peacock Theatres for last 12 years; Gate Theatre; Rough Magic; Bespoke; CoisCéim
Continuing collaboration with directors: Conall Morrison, Jimmy Fay. Designers: Monica Frawley, Sinéad Cuthbert, Joan O'Clery, Joe Vaněk
Additional information: Ran own hairdressing & beauty therapy business before working for theatre. Works extensively in the Irish film and television industry.
- Paul Keogan
* 04.11.1967, Dublin
Education: BA (Hons) in Drama Studies and History of Art, Trinity College Dublin
Collaboration with theatres: Abbey Theatre Associate Artist. LightingDesigner: Wexford Festival Opera, Opera Ireland, Operating Theatre&Siren Product
- Sophie Charlambous
Exhibiting works
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Michael Keegan Dolan: Giselle (Giselle),
Fabulous Beast Dance Theatre
(Fabulous Beast Dance Theatre),
2003
- Peter O’Brien
Exhibiting works
-
Oscar Wilde: (Lady Windermere's Fan),
The Gate Theatre
(The Gate Theatre),
2005
- Sinead Cuthbert
Specialization: dramatist, Costume Designer
Exhibiting works
-
Peter Schaffer: (Amadeus),
Samuel Beckett Theatre
(Samuel Beckett Theatre),
2004
- Monica Frawley
* 23.05.1954, Dublin
Specialization: set designer, costume designer
Education: Institute of Art, Design & Technology,Dun Laoghaire;National College of Art & Design,Dublin;Central St.Martin's,London
Continuing collaboration with directors: David Bolger, choreographer and director
Exhibiting works
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Alfred Jarry, Vincent Woods: Ubu Roi (King Ubu),
Town Hall Theatre
(Town Hall Theatre),
2006