Design USA: Bridging the New Millenium, we are presenting some of the finest designs produced in Americans theatres over the past fivo yoars. The curators focused on three key issues for this year's exhibit to celebrate the new millenium. We selected innova-tive and stimulating designs that addressed the current trends in stage design in America. These thought-provoking designs exhibit a unique oxprossion of tho toxt in a now aesthetic for a new era. We also looked for strong collaborative efforts between the director and tho designers for sets, lighting, costumes and sound. For many of the productions exhibited we have collected the work of more than ono of tho designers to represent the impact of the production more completely in the exhibition format. Lastly, we are pleased to includo tho olemont of sound design and composition for tho first time in our display, bringing the experience of the exhibit into anothor realm of tho sonsos. Tho visual and aural designs included are exemplary representations of the characteristic that we see shaping American thoatro for tho future. Tho foatured productions were produced in theatre venues all around the country. In many cases, tho members of tho dosign collaboration toam wore based in a variety of locations, both national and international, coming togothor to croato a unlquo vision with thoir combined creative talents. From coast to coast, theatre design in America is proud to ombraco multi-cultural and multi-national influences in the new epoch and in the labyrinth of the world.
- Dawn Chiang
Specialization: lighting designer
- Duane Schuler
- Jennifer Tipton
Specialization: lighting designer
Education: BA, Cornell University
Additional information: Jennifer Tipton is well known for her lighting design in theater, dance, and opera. Her recent work in opera includes Gounod's "Romeo et Juliette," directed by Bart Sher at the Salzberg Festival, and the Wooster Group's "La Didone." Her recent work in dance includes Balanchine's "Jewels" for the Royal Ballet in London and Jerome Robbins' "Les Noces" for the New York City Ballet. In theatre, she designed for David Gordon's "Uncivil Wars" at the Kitchen, and "Beckett Shorts," directed by JoAnne Akalaitis. A professor of lighting at the Yale School of Drama, she has received the Dorothy and Lillian Gish Prize and the Jerome Robbins Prize.
- Marianne Custer
Additional information: Costume designer participating in the Crowd at PQ03
Graduated from University of Wisconsin, Madison . She works as a costume designer and a professor of costume design at University of Tennessee. The shape and design of this production were developed over a three month workshop and rehearsal process. The enviroment for the play was a poisoned, post apocalyptic world.
- Robert Schmidt
Specialization: scenographer
- Brendon Boyd
- Connie Furr-Soloman
Specialization: costume designer
Education: MFA
Collaboration with theatres: Stage One
Continuing collaboration with directors: Moses Goldberg
- Constance Hoffman
Specialization: costume designer
Continuing collaboration with directors: Keith Warner
Additional information: Costume designer, "André Chénier"
- Gage Williams
Specialization: set designer
Additional information: Born in Dallas, Texas. He has MFA from Southern Methodist University. Operates as resident set designér at Idaho Repertory Theatre and Assistant Professor at University of Utah. In 1994, he received the Cable Ace Award for art direction on Mastergate.
- Jackie Dempsey
- Karyl Newman
Specialization: costume designer
- Tom Mardikes
Specialization: sound designer
- Michael Ponder (Mike Ponder)
- Richard L. Hay (Richard Hay)
Specialization: set designer
Additional information: Born in Wichita, Kansas. He graduated with MA from Stanford University, California. Currently operates as scenery designer at Oregon Shakespeare Festival, Ashland and teaches as Associate Professor at Stanford University, California. He participated in the PQ in 1987. From USITT, he received the Distinguished Achievment Award for Scene Design: State of Oregon Governor's Award for the Arts.
- Tim Saternow
Specialization: lighting designer
- Klara ZIEGLEROVA
Specialization: set designer
- Susan Tsu
Pennsylvania
Additional information: Costume designer participating in the Crowd at PQ03
Independent costume designer and professor of costume design at University of Texas at Austin. She graduated from Carnegie Mellon Univorsity at Pittsburgh.
- Dan Gray
Specialization: set designer
- William Bloodgood
Glen Cove, New York
Specialization: set designer
Additional information: Born in Glen Cove, New York. He graduated with MFA from Penn State University 1976. Currently co-operates with Oregon Shakespeare Festival, Ashland.
- Sheila Hargett
Specialization: costume designer
- Dennis Hassan
Specialization: teacher, set designer
- Chris Shutt
Specialization: sound designer
- Nick Ularu
Specialization: set designer, costume designer
Additional information: Born in Bucharest, Romania. He graduated from University of Arts in Bucharest, Romania as Scenographer/Arts Educator. Taught at University of Arts in Bucharest (1989-1996) and was Professor of Theatre and Film at the Academy of Bucharest (1990 -1996). In 1996, he worked at the National Theatre School of Denmark. Currently, he operates as scenic designer and lecturer at Smith College, Massachusetts. He participated in the PQ in 1979 and 1995.
- Bill Brewer
Specialization: costume designer
- Ming Cho Lee
Specialization: set designer
Additional information: Born in Shanghai, China; studied at Occidental College and U.C.L.A. Schoolof Applied Arts; apprentice and assistant designer to Jo Mielziner and Boris Aronson; member United Scenic Artists, Local 829; member American Theatre Planning Board, Theatre Projects Committee of N.Y.C. Planning Commission, Advisory Council of International Theatre Institute and the Board of Directors of Technical Assistance Group Foundation; taught scene design at New York University /1968-70/, has taught at Yale School of Drama since 1969; as principal set designer, New York Shakespeare Festival /1962-73/, productions include Ergo, Hair, Two Gentlemen of Verona, Much Ado About Nothing, and Sophocles Electra; designed ten productions for New York City Opera including Faust, Anna Bolena, Julius Caesar, and the American premiere of Don Roderigo; other opera designs include La favorita /San Francisco Opera/, Madame Butterfly /Opera Company of Boston/, Ariodant /Kennedy Center/, Madame Butterfly /Metropolitan Opera National Company/, Bomarzo /world premiere, Opera Society of Washington/, Lucia di Lammermoor /Teatro Colón, Buenos Aires/ and Julius Caesar / Hamburgische Staatsoper/; as principal designer, Juilliard Opera Theatre American Opera Center /1964 - 70/; designed Fidelio, La Boheme, The Rake's Progress and others; for Broadway designed Mother Courage and Her Children, Billy, Slapstick Tragedy, Two Gentlemen of Verona, Much Ado About Nothing and others; designs for regional theatres include Henry IV, Part 1 /Mark Taper Forum/, Inherit the Wind and Our Town /Aréna Stage Cultural Exchange Tour of U.S.S.R. in 1973/; designs for dance include Myth of a Voyage /Martha Graham/, Missa Brevis /José Limon/, Don Juan /San Francisco Ballet/ and productions for Alvin Ailey, and for Gerald Arpino of the City Center Joffrey Ballet; won Maharam Award for Electra and Ergo; his designs have been exhibited in New York, Connecticut, Ohio and California; recent designs include Boris Godunov /Metropolitan Opera/, Whispers of Darkness /National Ballet of Canada/, and The Seagull for Andre Gregory.
- Robert Brill
* 04.09.1963, Salinas, CA
Education: BA University of California, San Diego
Collaboration with theatres: Oregon Shakespeare Festival, Lincoln Center Theatre, NYSF/Public Theatre, Manhattan Theatre Club
Additional information: Operates as freelance scenery designer in New York City.
- Olivera Gajic
Serbia
Specialization: costume designer
Education: MFA University of Connectitut
Collaboration with theatres: Rattlestic Playwrights Theatre, Primary Stages
Continuing collaboration with directors: Jim Stark
Additional information: Costume designer participating in the Crowd at PQ03
She graduated from University of Connecticut (MFA) and from School of the Arts, Belgrade (BFA). Works as a freelance designer. After reading the play, she let herself react with a visual emotional response. Passionatelly researched and rendered. She had flashbacks to her dreams and unfortunate experiences, mean nightmare moments of the "dream" she had lived trough. A women's body, made of torn skin and then stitched together, was part of that dream. She saw the Daughter of Indra as a divine creation who came to earth to save mankind. God had sent his son and now he was sending his daughter.
- Susan Hilferty Susan Hilferty (Susan Hilferty)
* 23.01.1953, Arlington, MA
Specialization: costume designer
Education: MFA Yale University School of Drama, BFA Syracuse University
Collaboration with theatres: Broadway, major regional theatres
- Derek McLane
* 14.06.1958, London, England
Specialization: lighting designer
Education: MFA Yale University School of Drama, BA Harvard University
Collaboration with theatres: Regional, Off-Broadway theatres
Continuing collaboration with directors: Scott Elliott, Moises Kaufman, Kathleen Marshall, Dan Sullivan, Susan Schulman, James Lapine, Theresa Rebeck, David Warr
- Daniel Ostling
* 17.06.1963, Chicago, IL
Specialization: set designer
Education: MFA Northwestern, BA Northern Illinois University
Collaboration with theatres: Seattle Repertory Theatre, Mark Taper Forum, Oregon Shakespeare Festival
Continuing collaboration with directors: Mary Zimmerman
- Julie Taymor
Newton, MA
Education: BA Oberlin College
Collaboration with theatres: Broadway, Metropolitan Opera, Los Angeles Opera, Houston Grand Opera
Additional information: Born in Newton, Massachusetts. She has designed sets, costumes, masks and puppets for theatre, film and television. She has BA from Oberlin College, Ohio. Operates as director and designér of theatre, opera and film and is currently directing the feature film Titus. She received the Tony Award for directing and costume design for The Lion King (1998), Jury Award at the Montreal Festival of Films on Art for Oedipus Rex (1993), two Obies for Juan Darien and Best Drama Award in Tokyo at the International Electronic Cinema Festival (1992).
- Anita Yavich
Specialization: costume designer
- Sumio Yoshii
Specialization: lighting designer
- Deborah M. Dryden
Great Britain
Specialization: costume designer
Additional information: Costume designer participating in the Crowd at PQ03
She graduated from University of Wisconsin, works as a resident costume designer at Oregon Shakespeare Festival. The focus of this production of Macbeth was a psychological examination of the two main characters. In a reworking and pruning of the text, the play opened with Macbeth speaking the first words as if in a dream and the three weird sisters echoing these words. The impression is given that these three were manifestations of Macbeth' s unconscious. As their deeds grew more murderous, their costumes accumulated the red blood spilled.
- Jules Fisher
- Peggy Eisenhauer
- Yoshinori Tanokura (Yoshi Tanokura)
Specialization: set designer
- Donald Holder
- Mimi Jordan Sherin
Specialization: lighting designer
- Nancy Hills
San Mateo, California
Additional information: Born in San Mateo, California. She graduated with MFA at the University of Oregon. Currently operates as costume designer and teaches as Associate Professor at Utah State University.
- John Horner
Specialization: lighting designer
- Elton John
- Paul Tazewell
Additional information: Costume designer participating in the Crowd at PQ03
Freelance designer, he graduated from the North Carolina Schools of the Arts and from Tisch School of the Arts, New York University. The costume designs create a world for the play that refers to its basis is Norwegian folklore while at the same time, suggesting the universality of Peer's spiritual journey. The designs were inspired visually by the works of Norwegian painter Edward Munch which Tazewell describes as "psychological and eerie".
- Scott Killian
- Howell Binkley
Specialization: lighting designer
- Christopher Akerlind
Specialization: set designer, lighting designer
Education: BFA, Boston University; MFA, Yale University
Continuing collaboration with directors: Robert Woodruff, Franco Dragone, Rebecca Taichman, David Schweitzer
Additional information: Christopher Akerlind has designed lighting for over 600 productions for theater, opera, and dance companies in the USA and around the world. Recent productions include “Kdo!” For Foret Nationale, Brussels, “Orpheus X Tfana” for the Hong Kong and Edinburgh Festivals, and “Die Entführung aus dem Serail” and “Appomattox” for San Francisco Opera. He is a recipient of an Obie Award for Sustained Excellence, a Merritt Award for Design and Collaboration, the Tony, Drama Desk, Outer Critics, and Hewes Design Awards for the Broadway production of “The Light in the Piazza,” and numerous nominations for the Drama Desk, Lortel, Outer Critics, and Tony Awards.
- James F. Ingalls
- Dunya Ramicova
Specialization: costume designer
Additional information: Born 1950 in Bratislava (ČSFR). Costume designer. Professor of design at University of
California at Santa Barbara.
- Tony Penna
Specialization: lighting designer
- Jon Weston
Specialization: sound designer
- Brian MacDevitt
Specialization: lighting designer
- Nancy Schertler
Specialization: lighting designer
- Rob Milburn
Specialization: sound designer
- Michael Bodeen
Specialization: sound designer
- Janet Kalas
Specialization: sound designer
- Rick Martin
Specialization: lighting designer
- Andrew Yelusich
Specialization: costume designer
- Kevin Copenhayer
- Buki Shiff
* 1955, Israel
Specialization: costume designer
Additional information: Freelance costume designer. He participated in PQ 1991.
- Thomas C. Hase (Thomas Hase)
Specialization: lighting designer
- Carol Mullins
Specialization: lighting designer
- Kiki Smith
Specialization: costume designer
- John Conklin
Specialization: set designer
Additional information: Born in Hartford (Connecticut). Stage and costume designer. Professor and Head of Design Program at New York University. He exhibited at the Prague Quadrennial in 1975 and in 1987 (commissioner general of the exposition awarded by the Golden Triga - the main prize).
- John Napier
Specialization: set designer
Additional information: John Napier is an Associate Designer of the Royal Shakespeare Company, and his designs for them include King John, Richard II, Cymbeline, Macbeth, Hedda Gabler, Richard III. He co-designed the permanent staging at the Aldwych Theatre, 1976/77, and during this period designed Much Ado About Nothing, King Lear, Comedy of Errors, Macbeth, Midsummer Night's Dream, and As You Like It. He also designed Terry Hanď s production of Twelfth Night at the Comedie Francaise, The Ruling Class /Nottingham and London/, Fortune and Men's Eyes /London/, Early Morning /in Germany/ ; Cancer, Bonď s Lear, Big Wolf for the Royal Court Theatre, Julius Caesar at the Young Vic, Macbeth for Birming- ham, Equus for the National Theatre, Doctor Who, The Devils of Loudon; Richard II in Vienna.
- Ralph Funicello
New York
Specialization: set designer
Additional information: Born in 1947 in New York. He has designed sets for Broadway and for major USA regional theatres (Act, Mark Taper Forum, Guthrie Theatre Seattle Repertory Theatre). He graduated with BFA from New York University. Currently (1999) operates as scenery designér at Old Globe Theatre, Berkeley Repertory Theatre a American Conservatory Theatre and teaches at Powell Chair in Design and San Diego State University. He participated in the PQ in 1987.
- Christine Jones
* 10.06.1966, New Jersey
Specialization: set designer
Education: Concordia University, Montreal NYU, Tisch School of the Arts
Collaboration with theatres: Artistic Director of Theatre for One
Continuing collaboration with directors: Currently developing Theatre for One, which can be seen at theatreforone.com, in collaboration with directors, designers and performers.
Additional information: Christine Jones was awarded a Tony for the scenic design of “American Idiot.” Additionally nominated for a Tony for “Spring Awakening,” this show and “Everyday Rapture” were collaborations with director, Michael Mayer. Off Broadyway, she designed “Coraline” and collaborated with Phillip Glass for “The Book of Longing.” She teaches set design at New York University and is the Artistic Director of Theatre for One, a space designed for one actor and one audience member that can be seen at theatreforone.com.
- Kevin Adams
Specialization: lighting designer
Education: BFA, University of Texas; MFA, Cal Arts
Additional information: Kevin Adams is a three-time Tony Award winner for lighting design. In addition to “American Idiot,” other designs for Broadway include “Spring Awakening,” “Passing Strange,” “Next To Normal,” “Hair,” “Take Me Out,” “The 39 Steps,” and “Everyday Rapture.” An internationally recognized designer making his home in New York, this designer’s work has also been seen in London’s West End, Japan, Korea, Austria, and Australia. Studying design at California School for the Arts for his MFA, his last exhibit at the Prague Quadrennial was in 2003.
- Rachel Hauck
Worcester MA, USA
Specialization: set designer, BA from UCLA 1990
Additional information: Scenic designer Rachel Hauck wrestles for a playwright’s words to be seen. Finding multiple ways to tell a story, her New York works include “This Wide Night” for Naked Angels, “Creature” for P 73/New Georges, “Boy and His Soul” for the Vineyard, and “Ethel:TruckStop” at Brooklyn Academy of Music. Regional works have been seen at theatres in New Mexico, Seattle, Cincinnati, Hartford, and Atlanta. Having studied at UCLA, Rachel is now a resident of New York, teaches at Vassar, and has been the resident set designer at the O’Neill Playwrights Conference since 2005.
- Gabriel Berry
* 1951, Omaha (Nebraska)
Specialization: costume designer
Additional information: Gabriel Berry designs costumes for theater, dance, and opera. Among the world premieres she has designed are works by playwrights Anne Bogart, Christopher Durang, Tony Kushner, Charles Ludlam, and Sam Shepard, as well as composers John Adams, Anthony Davis, Phillip Glass, Meredith Monk, and choreographers Donald Byrd, Lucinda Childs, and the Urban Bush Women. Recent work includes Ann Hamilton’s “Mercy” at the Brooklyn Academy of Music and Yoshiko Chuma’s “Tunnel” for the first annual Dublin Dance Festival. An Obie and Bessie award winner, Berry was the last American to win an individual medal at the Prague Quadrennial in 1995.
- Polly Boersig
Shreveport, La
Specialization: costume designer
Education: University of Texas Austin (1996); Louisiana State University Baton Rouge (1983)
Additional information: Polly Boersig is currently engaged in creating, implementing and teaching an integrated art/gardening curriculum with grades kindergarten through eighth at the Avoyelles Public Charter School in Mansura, Louisiana. She is planning a culinary project, which will allow students to bring their produce from the field to the table, thereby gaining a greater understanding of the beautiful connections between creating a sustainable environment and a healthy life for oneself, the community, and ultimately for the planet. The Edible Schoolyard was honored with a visit from Alice Waters, who has invited the team to attend her 2010 Edible Schoolyard Workshop in Berkeley, CA.
- Walt Spangler
* 02.09.1969, Greensboro, North Carolina, USA
Specialization: set designer
Education: Master of Fine Arts, Yale School of Drama (1997)
Collaboration with theatres: Walt enjoys ongoing collaborations with many theaters throughout the USA including The Goodman Theater in Chicago, The Shakespeare Theater in Washington, DC, The Guthrie Theater in Minneapolis and many others.
Continuing collaboration with directors: Walt has enjoyed long term collaborations with many wonderful directors including Robert Falls, Chen Shi Zheng, Michael Kahn, and Kate Whoriskey.
Additional information: Walt Spangler is a New York City-based set designer for theater and opera. He began designing at age 16 and has never stopped. When 18, Walt moved to Germany where he spent several formative years, including a season at Stadttheater Konstanz working with directors Ulrich Khuon and Anje Lenkeit. Formal studies continued under acclaimed set designer Ming Cho Lee. Walt received a Master of Fine Arts from the Yale School of Drama in 1997. Walt designs around the USA and abroad, and has enjoyed an especially long collaboration with acclaimed director, Robert Falls, the director of" Desire Under The Elms."
- Darren L. West
Specialization: sound designer
Education: BFA, Western Kentucky University
Continuing collaboration with directors: Anne Bogart, Jo Bonney, Carey Perloff, Oskar Eustice, Tina Landau, Robert Woodruff, Joanne Akalitis, Chay Yew, Daniel Sullivan, Marc Masterson, Julian Crouch, Phelim McDurmott, Emily Mann, and Joe Mantello
Additional information: Darron L.West's sound designs for theater and dance have been heard in over 400 national and international productions. Regional credits include Yale Repertory Theatre, Actors Theater of Louisville, La Jolla Playhouse, the Guthrie, and the Kennedy Center. On Broadway, he has designed "Wait Until Dark," "Top Girls," "To Be Or Not To Be"," The American Plan," "The Royal Family," and "Time Stands Still". A recipient of much recognition for design, West has a Lortel and Audelco Award, Henry Hewes Design Awards, the Princess Grace, the Obie Award, and the Entertainment Design Magazine Eddy Award.
- Paul Steinberg
* 24.11.1946, Brooklyn, NY
Specialization: set designer
Education: BFA Pratt Institue, DipAD Central School of Art and Design
Collaboration with theatres: Bavarian State Opera, English National Opera
Continuing collaboration with directors: David Alden, JoAnne Akalaitis
- Catherine Zuber
Great Britain
Specialization: costume designer
Additional information: Costume designer participating in the Crowd at PQ03
Freelance costume designer, she glraduated from Yale University, owner of tho Museum of Fine Arts Diploma.
- Bob Crowley
Specialization: set designer, costume designer
- Christopher Barreca (Chris Barreca)
* 01.03.1957, Pittsfield, MA
Specialization: set designer, Teacher
Education: MFA Yale University School of Drama Theater Design, BFA University of Connecticut
Collaboration with theatres: Broadway
- Kevin Rigdon
Specialization: scenographer
- Laura Crow
Specialization: costume designer, Professor
Additional information: Costume designer participating in the Crowd at PQ03
She graduated from Boston University with BFA and from University of Wisconsin with MFA. Works as costume designer and professor of costume design at University of Connecticut. There was every attemt to bring multi-cultural influences into fantasy life created for these children suffering from displacement during World War II. England. By combining different types of iconic ritual dresses, the results wore theatrical in scale, extremely colorful and fantastical.
- Myung Hee Cho
Specialization: set designer
- Natascha Katz
Specialization: lighting designer
- Martin Pakledinaz
Specialization: costume designer
- Laura Bauer
Specialization: costume designer
- Howard Werner
Specialization: lighting designer
- Jennifer von Mayrhauser
Specialization: costume designer
- Andre Harrington
Specialization: costume designer
- Penny Remsen
Specialization: lighting designer
- David Gilman
Specialization: sound designer
- Brett Jarvis
Specialization: sound designer
- Ilona Samogyi
Specialization: costume designer
- Mark Wendland
Specialization: set designer
- Kelley McClung
Specialization: lighting designer
- Dawn Testa
Specialization: costume designer
- Bruce Bergner
Specialization: set designer
- Kevin Dunayer
Specialization: sound designer
- Michael Wellborn
Specialization: lighting designer
- Mark Harvey
Specialization: lighting designer
- Patrick Landers
Specialization: set designer
- Douglas Cuomo
Specialization: sound designer
- James Vermeulen
Specialization: lighting designer
- Andrew Ondrejcak
Specialization: set designer
- Matthew Adelson
Specialization: lighting designer
- Jason Tratta
Specialization: sound designer
- Ursula Belden
Specialization: set designer
- Mimi Maxmen
Specialization: costume designer
- James Allen
Specialization: lighting designer
- Rebecca Graves
Specialization: costume designer
- Gregg Bames
Specialization: set designer
- Tom Clark
Specialization: sound designer
- Mark Menard
Specialization: sound designer
- Nevin Steinberg
Specialization: sound designer
- Robin Wagner
Specialization: set designer
- Marc McCullough
Specialization: lighting designer
- Betsy Adams
Specialization: lighting designer
- Jim Fulton
Specialization: lighting designer
- Matt Kelly
Specialization: sound designer
- Josh Bradford
Specialization: lighting designer
- Nathan Heverin
Specialization: set designer
- Stefen Jacobs
Specialization: sound designer
- Theresa Squire
Specialization: costume designer
- Ben Emerson
Specialization: sound designer
- David Murin
Specialization: costume designer
- Star Moxley
Specialization: costume designer
- Mark J. Bennett
Specialization: sound designer
- Joyce Lee
Specialization: costume designer
- Scott Lehrer
Specialization: sound designer
- Andreanne Neofitou
Specialization: costume designer
- David Gallo
Specialization: set designer
- Larry Dellinger
- Dennis Kamburry
Specialization: sound designer
- Patricia J. Collins
Specialization: lighting designer
- Karen Ten Eyck
Specialization: set designer
- John Gottlieb
Specialization: sound designer
- Christopher Kondek
- Ellen McCartney
Specialization: costume designer
- Leon Rothenburg
Specialization: sound designer
- Bruce Duerden
Specialization: lighting designer
- Matt Frey
Specialization: lighting designer
- David Dansky
Specialization: sound designer
- Peter Kater (Peter Kater)
- Phil Monet
Specialization: lighting designer
- Michael Yeargan
Specialization: set designer
- Colbert Davis
Specialization: sound designer
- Valerie Fuchs
- Matt Hubbs
Specialization: sound designer
- Steve O'Hearn
Specialization: set designer
- Todd Barton
Specialization: sound designer
- Robert Peterson
Specialization: lighting designer
- Michelle Dibucci
- Russell Metheny
Specialization: set designer
- Devon Painter
Specialization: costume designer
- Victor Tan
Specialization: lighting designer
- Toni James
Specialization: costume designer
- Scott Stauffer
Specialization: sound designer
- Scott Myers
Specialization: sound designer
- Chris Parry
Specialization: lighting designer
- Henryk Baranowski
Specialization: set designer
- Larry Delinger
- Peter A. Maradudin
Specialization: lighting designer
- Matthew Spiro
Specialization: sound designer
- Dominic Kramers
Specialization: sound designer
- Michaele Hite
Specialization: costume designer
- David Nancarrow
Specialization: lighting designer
- Kevin Kornicki
Specialization: sound designer
- Bob Steineck
Specialization: lighting designer
- Mick Sands
- David White
Specialization: sound designer
- Kari Perkins
Specialization: costume designer
- Mike Garner
Specialization: lighting designer
- Daniel Hannon
Specialization: set designer
- Geoff Abass
Specialization: sound designer
- Philip Bussman
Specialization: video-projections
- John Collins
Specialization: sound designer
- Jim Dawson
Specialization: sound designer
- Jim Findley
Specialization: set designer
- Scott Zielinski
Specialization: lighting designer
- Wendall Harrington
Specialization: video-projections
- Kaye Voyce
Specialization: costume designer
- Janet Bloor
* 1956, England
Specialization: costume designer
Additional information: Costume designer participating in the Crowd at PQ03
She studied knitwear design. In 1982 came to NY, gaining further knowledge of the theatrical and movie costume business. She is co-founder and owner of Euro-Co, New York City, specializing in silicone rubber fabrication and dancowoar. Collaborates with ballet and theatre productions and film, frequently with sci-fi.
