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1979 » Soviet union » Stage and costume design

SVAZ SOVĚTSKÝCH SOCIALISTICKÝCH REPUBLIK

We have many good theatres and many interesting and capable stage designers. How should the most typical, the most remarkable be chosen - that is a question which any important exhibitions poses. In recent years Soviet stage design has been developing in the context of ideas which, by the early seventies, had already fully asserted themselves. The concept of the stage as a medium in the visual arts has continued to be developed. Attempts have appeared to represent the time and space of the action on stage in a supremely objective and natural manner. Our exposition tends to place the artist above any such objectives. A comparatively small number of stage designers have been selected to present their work. They differ in age and represent varied national schools and different theatres, some of which represent the theatre as an art. We have before us masterly, innovative stylizations, as well as programmed rationalism, conscious intentions to highlight the dramatic conflict in the spatial dimension, as well as deliberate limitations imposed by the artist upon himself by aiming at a highly authentic presentation of the temporal and spatial aspects of the action and the ability to make scenic space really dramatic. Thus we see on the one hand extreme clarity in concept, combined with an intuitive approach and intriguing uninterpretability on the other. The striving for improvisation is accompanied by highly refined and architecturally tried forms. The desire to produce an affect by the use of authentic materials and textiles is accompanied by playing a theatre which is 'unreal " and "make believe ". Behind all this one senses not only the existence of varied stages of development and different attitudes towards the theatre, but also varied and imaginative approaches to aspects of life and art. The exhibition of our puppet theatres is well supplemented by stage designs from our designers in theatres for children. The latter is one of the most important sections of our theatre. We do not wish in this context to accent the specific aspects of a stage designer’s mission in this particular area. Let it suffice to note that successful attempts to capture the attention of young audiences typically stress colour, visual experience and fun which cause the child to open its eyes to the beauty, magic and joy of the world.


Exhibiting artists / ateliers

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  • Sergej Barchin (Sergei Barkhin)
  • David Borovskij (David Borovsky)
  • Sofia Junovič
  • Eduard Kočergin
  • Valerij Levental
  • Vladimír Serebrovskij
  • Mart KITAJEV
  • Vladimir MAKUŠENKO
  • Vitalius MAZURAS (Vitalis MAZURAS)
  • Olga TVARDOVSKAJA
  • Ella ADAMOVA
  • Veniamin AKUDIN
  • Vladimir AREFEV
  • Alina Fomina
  • Larisa GERLOVAN
  • Vladimír CHOVRALEV
  • Irina KOSTRINA
  • Latife KULI-ZADE
  • Dalia-Lidija MATEITENE
  • Teimuraz NINUA
  • Alexandr OPARIN
  • Aramais SARGSJAN
  • A.V. ŠEGLOV (Alexej ŠEGLOV)
  • Miriam ŠVELIDZE
  • Paul SCHENHOFF
  • Christina SKALDINA
  • Sofia UNOVICH
  • Daniil LIDĚR
  • R. KONDAKHSAZOV
  • Nely POLJAKOVA
  • Astrida RINJKE
  • Irene VOKALIS
  • Boris Messerer
  • Jaak Vaus
  • Andris Freibergs
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