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1975 » German Democratic Republic » Stage and costume design

Curator:Günter Riegel

NĚMECKÁ DEMOKRATICKÁ REPUBLIKA

Scenarist of the exhibition: Friedrich Dieckmann The exposition of the German Democratic Republic at the 1975 Prague Quadrennial again attempts to provide an insight into the working methods of the art of stage designing, which aims at a close alliance with the work of the director. The concept of the stage designer as "co-director", who does not endeavour to build impressive decorations for the work of the director and the actors, but develops the sets from the characters and their arrangement, founded by Brecht, and developed in an exemplary manner by the work of Karl von Appen at the Berliner Ensemble, should also be evident in the present exposition. Building on this foundation, a number of young stage designers, almost all of them the former students of Karl von Appen and the unforgotten chief designer of the Deutsches Theater, Heinrich Kilger, have placed new accents in their work during the past few years. In spite of an evident diversity in their means and methods, they have one common approach: a rejection of rigid, solid decorations and a stress on mobile, dynamic forms, which are part of the endeavour to achieve a direct and dynamic relationship with the audience. Thus in different ways, these artists are helping to shape a contemporary form of stage realism - because realism must be formulated for each generation anew – which reflects our constantly changing reality. In 1971 the exposition of the GLR was quite extensive and this made it possible to divide it into various genres /drama, opera, ballet, etc./ and within these genres a chronology of playwrights, poets and composers. Our contribution to the present, third Prague Quadrennial is smaller in size and places greater stress on stage designers as such; the exposition organises the designs according to their authors. Larger complexes are the result of the fact that the artists are often members of a particular theatre. Thus recent work done at the Volksbühne in Berlin forms a separate complex, which gives a survey of the activities of this particular theatre during recent years. Smaller complexes concern the two Berlin Opera Houses /Deutsche Staatsoper and the Komische Oper/ and the theatresin the cities of „Magdeburg and Potsdam, Karl-Marx-Stadt and Leipzig. But even very small theatres in such towns as Rudolstadt /with a population of 28 000/ or Meiningen /with 24 000 inhabitants/are represented with the work of their stage designers. Thus, hopefully, the exposition also provides a sort of cross-section of stage designing in our country.


Exhibiting artists / ateliers

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  • Eberhard KEIENBURG
  • Günther Altmann
  • Karl von Appen
  • Hans Brosch
  • Manfred Grund
  • Franz Havemann
  • Pieter Hein
  • Otto Kähler
  • Hans Helmut Müller
  • Bernhard Schröter
  • Falk von Wangelin
  • Wilfried Werz
  • Ralf Winkler
  • Reínhart Zimmermann
  • Annemarie Rost
  • Gerhard Arnold
  • Frank Borisch
  • Christiane Dorst
  • Alwin Eckert
  • Jochen Finke
  • Lothar Scharsich
  • Christine Stromberg
  • Volker Walther
  • Fritz Werner
  • Siegfried BACH
  • Wolfgang BELLACH
  • Kristina BIEDERMANN
  • Helga BORISCH
  • Helmut BRADE
  • Heidi Brambach
  • Wasja GÖTZE
  • Christa HAHN
  • Peter HEILEIN
  • Peter HOPPE
  • Johanna KIELING
  • Dieter KLASS
  • Bernd LEISTNER
  • Harald METZKES
  • Edda NAUMANN-COLDITZ
  • Einar SUHLEEF
  • Jochen SCHUBE
  • Günter THIELMANN
  • Ezio TOFFOLUTTI
  • Gertraud TÖPFER-STOJANTSCHEW
  • Gero TROIKE
  • Gabriele KOERBL
  • Eleonore Kleiber
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