1971 » Venezuela » Stage design and costumes

VENEZUELA

Exhibiting artists / ateliers

• Ramon Aguirre

Additional information: Born 1942 in Caracas in Venezuela. Graduated from the Academy of Fine Arts in Caracas and the Dramatic School of the Central University in Caracas. Assistant director in numerous productions. He has designed and brought into effect stage sets to several plays. He is professor at the Dramatic School in Guanare in Venezuela and director of a puppet theatre in Caracas.

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• Jacobo Borges

Additional information: Born 1931 in Caracas in Venezuela. Between 1949 and 1951 studied at the National School of Fine Arts in Caracas. In the time between 1952 and 1956 he studied and was at work in Paris. He has taken part in a number of international competitions. He was awarded the National Prize of Painting. He participated in tne big show Images of Caracas, an audio-visual and total theatre spectacle within the scope of which eight 35 mm film projectors and eighty slide projectors were employed. His most important designs include the stage sets to Blood Wedding by F. G. Loira, The Glass Menagerie by T. Williams, The Inkpot by Carlos Muñiz, Soga de Niebla by César Rengifo.

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• Maria De Las Casas

Additional information: Born in Caracas in Venezuela. Studied in France, Spain, Venezuela and Italy. She has realized the costume designs to the play Antoinette the Fantastic in 1961, the costume designs and the stage direction for the plays La rebelde cenicienta in 1963 and The Little Prince of Saint-Exupery in 1966, and the costume designs to the play La cucarachita Martinez in 1968.

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Exhibiting works

• M. Trujillo: (The Little Cockroach), 1968
  

  

  

  

  

  

  

  
  
  
• Hélio Eichbauer

Additional information: Born in Brazil. Studied at the Modern Art Museum of New York, the special line of stage and costume design in Prague and at the Berliner Ensemble in Berlin. He exhibited in the Museum of Modern Art in Rio de Janeiro and in the Caracas Ateneum in the year 1968. His most important scenic designs include the ones to the Trojan Women by Euripides in 1967 in Rio de Janeiro, Salome by Oscar Wilde in 1968 in Rio de Janeiro, The Affected Ladies by Moliēre in 1968, the Family Album by Nelson Rodriguez in 1968 in Caracas.

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• Modesta Hernandez

Additional information: Born in Venezuela. Completed studies at the National School of Fine Arts. She has designed theatre costumes to Humberto Orsinťs version of Don Quixote de la Mancha and to The Bourgeois Gentleman by Moliēre.

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Exhibiting works

• Cervantes - H. Orsini: (Don Quijote), 1968
  

  

  

  

  

  
  
  
• Isabel Lopez

Additional information: Born in 1943 in Barcelona in Spain. Studied architecture in Caracas. Her most important designs include stage sets to Peace by Aristophanes in 196í, to the audio-visual performances Images of Caracas and Images of Venezuela in 1968 and 1969, to The Lesson by E. Ionesco, The Shadow of a Gunman by O Casey, La Traviata by G. Verdi, the Contemporary Dances by Sonia Sanoja, The Site by Rodolfo Santana (all of them in 1969) and to The Threepenny Opera by B. Brecht in 1970.

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• Humberto  Orsini

Additional information: Born in 1926 at Santa Cruz in Venezuela. Since 1948 studied dramatic art in Caracas. In 1953 he co-originated the Mascaras Troup. For a period of ten years he was at work in this troup as playwriht, stage director and stage designer. He is the founder of the Dramatic School at the Central University of Venezuela in Caracas where for eight years he was acting as director and lecturer. He was a member of the ITI Exeoutive Committee for a period of four years and for a period of 2 years its Vicepresident. At present he lives in Berlin in the G. D. R.

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• Alejandro Otero

Additional information: Born 1921 in El Manteco in Venezuela. In tne time between 1939 and 1945 he studied fine arts in Caracas and between 1945 and 1952 'he studied and was at work in Paris. Since 1953 he lectured at the School of Fine Arts in Caracas. In the time between 1960 and 1964 he again was at work in Paris. Exhibitions of his paintings have been organized in several countries. He was awarded the National Prize of Fine Arts. His most important designs include the stage sets to The Invisible God by Arturo Uslar Pietri, Caligula by Albert Camus, Fuente Ovejuna by Lope de Vega.

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• Jose Salas

Additional information: Born in 1941 in Venezuela. In the time between 1955 and 1957 he studied fine arts and between 1958 and 1960 scenic design and lighting engineering in Caracas. In the time between 1962 and 1965 he lectured on scenography at Barquisimeto in Venezuela. His most important designs include stage sets to the Misunderstanding by Albert Camus, The Bald Prima-Donna by Eugēne Ionesco, The Rescpectful Prostitute by J. P. Sartre, A Taste of Honey by Shelagh Delaney, Blood Wedding by F. Garcia Lorca and to many others.

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• Andres Salazar

Additional information: Born 1938 in Barcelona in Venezuela. He attended as associate student courses of painting at the School of Fine Arts in Caracas. He is co-founder of the Experimental Art Shop. His most important designs are the stage sets to the Men Without Shadows by J. P. Sartre, to Humberto Orsini´s version of Don Quixote by Cervantes, to The Bourgeois Nobleman by Moliēre and to the play La cenicienta.

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• Hugo Ulive

Additional information: Born 1935 in Montevideo in Uruguay. He is co-founder of the El Galpón Group. Since 1968 he has been working as director, scenic designer and professor. His most important designs include stage sets to The Maids by Jean Genêt and to The Night of the Murderers by José Triana.

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• Victor Valera

Additional information: Born 1927 in Maracaibo in Venezuela. Studied Fine Arts since 1937 in Maracaibo, since 1945 in Caracas. In 1954 he was at work in Paris. In 1957 he was awarded the National Prize of Sculpture. His most important designs include stage sets to the play Vimazoluleka by Levy Rossel, to Asia and the Far East by Isaac Chocron, to Terrible Angels by Roman Chalbaud and to Marat/Sade by Peter Weiss.

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• Guillermo Zabaleta

Additional information: Born 1928 in Valencia in Venezuela. In the time between 1944 and 1949 he studied architecture under Walter Gropius in Cambridge in the United States. His most important designs include stage sets to Private Lives by Noël Coward, Dangerous Corner by J. B. Priestley, Summer and Smoke by T. Williams, A View from the Bridge by A. Miller, The Love of Four Colonels by P. Ustinov, Uncle Vanya by A. P. Chekhov and to many others.

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