1971 » Romania » Stage design and costumes

RUMUNSKO

Works being exhibited for the first time at the Prague Quadrennial by the Rumanian Section, represent in various conceptions a selection of achievement; by a part of stage designers - running up to some one hundred sixty in total who work day by day in their field of activities, by a part of architects and technicians who devote their research-work to the theatre concerns or, realize projects referring to theatre constructions. The movement of those who work in this domain is characterized by a courage with which the most difficult problems are tackled, by a permanent search for the performance phenomenon in the light of the discovery referring to new forms of the dramatic expression. It appears to be necessary to point out that from the said total number or creators being throughout the country engaged in the rich activities within the scope of stage design merely seventy scenographers are at work in Bucharest, the rest of them being involved in the prodigious productions of professional or amateur theatres in various towns. The highly matured creators work side by side with the youngest ones, and are instrumental in bringing about an innovating breath which by far is not a privilege of the youth. The dominant characteristic in the creation of the Rumanian scenographers is — in spite of their different training — lying in the spatial conception of stage design with an architectural, sculptural, or pictorial tint. They exploit the most recent discoveries in the field of electrical engineering, in introducing confidently the new facilities being offered from the side of lighting engineering and of program controlled systems, in order to achieve a modern plasticity with the aim to emphasize the integral conception of the performance. In aiming at a revelation of the most successful scenographic creations, in demonstrating the diverse palette of performance forms and solutions of the theatre architecture and technique, the aforementioned selection tends to bring about a presentation of the most eloquent features referring to the Rumanian scenographic movement as well as a modest contribution to the success of that valuable initiative of the Czechoslovak stage designers. The Rumanian stage designers are with emotion waiting for the judgement both of the specialists and the common spectator, in being sincerely interested in a passionate search for new forms of the scenic expression, which is able to render back to the theatre its place side by side with the new arts, the film and the television being considered as sisters and not as rivals.

Exhibiting artists / ateliers

• Lucu Andreescu

Additional information: Born in 1909 in Bucharest. Studied at the Philosphical Faculty, special line of aesthetics and history of art. Since 1935 he has been engaged in graphic arts, architectural decorations and tapestry designs. Since 1948 he is at work as stage designer and theatre painter. Between 1957 and 1964 he acted as scenic designer of the theatre, puppetry and circus studios at the television. He has participated in exhibitions in Bucharest (1953, 1958, 1962, 1964, 1967), in Montevideo, Berlin and Warsaw. His most important works are the stage design to the plays: The Tempest by W. Shakespeare, An Inspector Calls by J. B. Priestley, Orpheus Descending by Tennessee Williams, Golem by H. Leivik, The Clock of Prague by Nazim Hikmet, The Witch by A. Goldfaden, The Good Woman of Setzuan by B. Brecht, and also for a number of plays by Rumanian authors as Victor Ion Popa, Mihai Sebastian, Gheorghe Ciprian, Aurel Baranga and others. At present he is at work at the theatre Teatrul Evreesc de Stát in Bucharest.

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Exhibiting works

• A. Goldfaden: (A Witch), 0
  
  
  
• Radu Boruzescu

* 1944, Secuien
Additional information: Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest, and graduated from it in 1969. He has participated in some collective exhibitions e. g.: in 1967 (stage design), in 1968 (Young Artists). He has been awarded the prizes: in 1968 a prize for the poster design to The Maids by Genêt, in 1970 a prize for the sets to the play Coana Chirita by V. Alescandri having been performed at the I. Luca Caragiale National Theatre in Bucharest. His most important works are the stage designs to the plays: The Giants af the Mountain by L. Pirandello (1968), The Maids by J. Gênet (1969), Coana Chirija by V. Alecsandri and Don Juan by Moliēre (1970). He has been at work for the film as well: The Braves (1969-1970) , Why? (1970). In his creation he engages also in commercial posters, collages, graphic arts and in architectural decorations.

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Exhibiting works

• Jean Genet: (The Maids), (Zofen), 1969
  
  
  
• V. Alescandri: (Coana Chirita), 1970
  
  
  
• Alexandru Brataşanu

Additional information: Born in 1901 at Craiova, died in 1970 in Bucharest. He studied painting in Paris at the Julian Academy and the Ranson Academy, and thereafter under Fernand Lēger, Bissiēre and Ozenfant. He acquired the necessary practice at the Sonia Delannay's Studio in Paris. He has designed a large number of stage sets for theatres in Bucharest (National Théatre, L. S. Bulandra, Comedy Théatre, C. I. Nottara, e t c ) , in Timişoara, Tirgu-Mureş, Constanţa, Piteşti, Piatra-Neamţ, and also in Montevideo (Uruguay). Of remarkable; significance is his activity in tne Ţãndãricã Puppet-Show in Bucharest between 1946 and 1949. He was awarded the title Artist of Merit of the RSR, the State Prize, and the Medal of Work in 1953. In 1937 he was awarded the Gold Medal and the Bronze Medal at the International Exhibition of Arts and Technique in Paris. He has participated in a number of exhibitions in Rumania (1930, 1933, 1937, 1938, 1957, 1962, 19671, in Paris (1937, 1964], in London (1938), in New York (1939), in Milano (1940), and in other cities. His most important designs are the stage sets to works by Goldoni, Shakespeare, Moliēre, Schiller, Gogol, Chekhov, Tolstoy, Ibsen, Shaw, Remarque, Anouilh, Albee, Caragiale, Davila, Sebastian, Lovinescu and many, many others. Until 1970 he was professor at the N. Grigorescu Institute of Fine Arts. He has published a large number of works referring to the special line of stage design.

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Exhibiting works

• Edward Albee: (A Delicate Ballance), 0
  
  
  
• M. R. Paraschivescu: (C´ut bizarre), 0
  
  
  
• Hristofenia Cazacu

Additional information: Born in Constanta. She studied at the Rěpin Academy of Fine Arts in Leningrad. She took part in the Biennial of Stage Design (1967), had an individual exposition (1958] and exhibited also at the Expo 1969. In 1967 she was awarded the First Prize of the Union of Pictorial Artists, and was distinguished for the outstanding stage design to the play Evening Star according to M. Eminescu having been performed at the Mihail Eminescu Theatre in Botoşani. Her most important designs are stage sets to a number of opéras and to the Rumanian play I Am Not the Eiffel Tower by Ecaterina Oproiu. At present she is at work as stage designér of the Opera in Iaşi.

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Exhibiting works

• Ekaterina Oproiu: (I Am Not the Eiffel Tower), 0
  
  
  
• Dan Cioca

Additional information: Born in 1939. He studied stage design at the N. Griorescu In - stitute of Fine Arts in Bucharest. He has had several one-man exhibitions in Bucharest / 1970, 1971, 1976, 1978 /, in Paris and in Bruxelles / 1978 /. He has also participated in a number of other exhibitions of stage design in Bucharest / 1967, 1971, 1975 /, as well as in Budapest, Warsaw, Berlin, Vienna, Rome and Turin. At an exhibition of posters in Warsaw in 1970 he received an Honorary Mention. He has also exhibited at the Exhibition of Rumanian Film Design in Moscow, at an exhibition of television designs for children's programs in Bucharest, at the Prague Quadrennial in 1975 and at the Trennial In Novi Sad / in 1972 and in 1978 /. He also participates in annual exhibitions of graphics in Bucharest. Since 1968 he works as a set designer for Rumanian Television where he designs for various types of programs, including musical shows, musical comedy, programs for children and television plays. He has also designed a number of sets for Bucharest theatres, for instance for the plays of Aristophanes and Labich. A number of his works have also been published in various Rumanian journals and magazines.

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Exhibiting works

• Eugene Labiche: (The Other´s Wife), 0
  
  
  
• Liviu Ciulei

Additional information: Born in 1923. Artiste of Merite of the Rumanian Socialiste Republic. He has worked succesively as an actor, director and since 1946 as a stage designer. He is engaged also in the theatre technics and in the architecture. He participated in the PQ in 1971.

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Exhibiting works

• P. Anghel: (Le Brave), 0
  
  
  
• : (The Night of the Iguana), 0
  
  
  
• A. Voitin: (Horia), 0
  

  
  
  
• Gheorghe Constantin

Additional information: Born in 1933 in Bucharest. Studied architecture at the Ion Mincu Institute of Architecture In Bucharest. He participated in the Exhibition of Television Setting Design in 1964, in the Exhibition of Rumanian Television and Rádio Network in 1969. In 1967 he was awarded the Medal of Work, in 1969 the First Class Medal for Culture, both for his activities as setting designer in Radio and Television Broadcasting Studios. He engages also in the field of architectural projects: in 1959 he in co-operation with the architect Vlad Illescu elaborated the project referring to a systematic arrangement of the Union Square in Bucharest having been published in 1960 in the review The Architecture in the Rumanian People's Republic. Together with Rodica Raräu he in 1967 realized an artistico-documentary film being entitled The Heart of the Earth. In 1969 he published the article Theatre or Television Film? His most important designs are stage sets to plays by Moliěre, M. Barberis, I. L. Caragiale, Leonida Teodorescu, Romulus Vulpescu, etc. At present he is at work at the Rumanian Television Studios in Bucharest.

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• Maria-Teodora Dinulescu (Teodora Dinulescu)

Additional information: Born in 1934. She graduated as an architect at the Institute of Architecture in Bucharest. She works as a stage designer et the Central Studio of Rumanian Television. Her professional activities include several areas. She has designed stage sets for va - rious festivals of popular music, theatrical plays, variety shows, etc. She has also designed the stage sets and costumes for various Rumanian theatres, both in Bucharest and elsewhere, for classical, as well as contemporary plays, among others by J. P. Sartre, H. Ibsen, R. Rolland, M. Gorki, W. Shakespeare, A.P. Chekhov, F. Schiller, A. Strindberg, Paul Everac, H. Lovinescu etc. In 1969 she also designed the sets for Zimmermann´s Oidipus Rex for the Bratislava Television studio and in that same year the sets for a television production of Orlando Mirioso by Ariosto / directed by Luca Ronconi / for Italian Television in Rome. She participated in a television set design exhibition in 1964, in the National Exhibition of the Successes of the Na - tional Economy in 1971 and in 1976, which was held at the Television Pavillion, in the Triennial in Novi Sad in 1972, 1975 and 1978 and also in the Prague Quadrennial in 1971 and 1975. In 1962 she received an Order of Labour of the Illrd degree.

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Exhibiting works

• : (Archa dobré naděje), 0
  

  
  
  
• Paul Claudel: (The Exchange), 0
  

  

  

  

  

  

  
  
  
• Vintila Facaianu

Additional information: Born at Focsani. Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. Since 1965 he has participated in all annual exhibitions of graphic arts in Bucharest, in all regional exhibitions, and furthermore in 1966 in the Exhibition of Stage Design in Bucharest, in the Month of Engravings in Bucharest; in 1963 he had a one man exhibition in Bucharest and in 1969 an individual exhibition of engravings, and he exhibited abroad as well: in Tokyo, Sofia, Montevideo, Warsaw, Memphis, Beirut, Linz, Bern, Damascus, Vienna, Portland (Oregon), Barcelona (Joan Miró), Sao Paulo and in Milan. In 1967 he was awarded the third prize for engravings. His most important designs are the stage sets to the plays: Petru Rareş by Horia Lovinescu, Croitorii cei mari din Valahia - The Big Dressmakers from Valahia by AI. Popescu etc. At present he acts as stage designér at the State Theatre in Ploieşti.

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• Sever Frenţiu

Additional information: Born in 1931 at Sãcuieni-Bihor (Rumania). Studied painting at the Ion Andreescu Institute of Fine Arts in Cluj. He took part in a number of exhibitions as for instance in the one of The Arad Spring Stage Design in 1969, and a one-man exhibition he organized in Arad in 1961 and at Vicenza in Italy in 1970. Apart from that he has participated in numerous regional and all-state exhibitions. In 1962 he was awarded the Third Prize of the Young Actors' and Stage Directors' National Festival. He is the wínner of a IVth Class Order for Culture. His most important designs are stage sets to The Wedding of Peruggia by AI. Kiriţescu, to Locatelli, a play from commedia dell´arte times, and to other plays by various Rumanian and foreign authors. At present he acts as stage designer of the theaire in Arad.

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Exhibiting works

• Al. Kiritescu: (Svatba v Perugii), 0
  

  

  

  

  
  
  
• Dumitru Georgescu

Additional information: Born in 1934. He graduated from the N. Grigorescu Institute of Fine Arts in Bucharest, where he specialized in stage design.He has exhibited in all stage design exhibitions in Bucharest, as well as in Novi Sad in 1976 and at the Prague Quadrennial in 1975. In that same year he participated in the Exhibition of Television Designs in Bucharest. Among his foremost stage designs are those for productions of Shakespeare's Much Ado About Nothing, for Popescu's Sandra and for Escu's Tudor Muşatescu. He has also designed the sets for the films, the Sand Copy Book, The Red Cap, The Tale of the Dandylion / these films ware shown at the Festival of Films for Youth in Japan /, The Comedy of Scales, Maria Tãnase, Istria and others. At present he works as a set designer for Rumanian Television.

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• Sorin Haber

Additional information: Born in 1945 in Rumania. He studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. In 1969 he was distinguished for his debut as stage designer at the National Theatre Festival. His most important designs are the stage sets to the plays Quarrels in Chioggia by C. Goldoni, Waiting for Godot by Samuel Beckett, The Cave Dwellers by William Saroyan, Saved Oedip by Radu Stanca, etc. He has designed also costumes to the opera Salome by Richard Strauss, and he is the author of a graphic work entitled Movement and Enviroment to Karlheinz Stockhausen's work. At present he acts as stage designér of the Puppet-show Theatre in Brãila.

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Exhibiting works

• Carlo Goldoni: (Quarrels in Chioggia), 0
  
  
  
• Andrei Ivaneanu-Damaschin

Additional information: Born in 1936 at Birlad. In 1959 he graduated from the Ion Mincu Institute of Architecture. He has participated in a number of exhibitions: The First Stage Design Exhibition of the Republic in 1961, The Annual Regional Exhibition at Baia-Mare in 1963, The Saloon of Young Stage Designers in 1964, The Second Stage Design Exhibition of the Republic in 1967; in 1988 he organized a one man exposition at Piteşti, in 1969 in Bucharest, and in 1969 he took part in the 2nd Triennial of International Stage Design in Novi Sad. His most important designs are the stage sets to plays Miorita by Valeriu Anania, The Three Sisters by A. P. Chekhov, Sam by G. M. Zamfirescu, etc. At present he is at work as stage designer at the AI. Davila Theatre at Piteşti.

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• Dan Jitianu

Additional information: Born in 1940 in Ploeşti. Studied architecture at the Ion Mincu Institute of Architecture in Bucharest and completed studies there in 1962. He acts as stage designer in theatre and film, yet he is at work also in the field of architecture, industrial aesthetics, interior decoration and furniture. He is in the employ of ťihe stage design section at the N. Grigorescu Institute of Fine Arts. His most important designs are stage sets to Rosmersholm and The Ghosts by H. Ibsen and to some plays by various Rumanian authors. At present he is at work as stage designer and architect at the Lucia Sturdza Bulandra Theatre in Bucharest.

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• Roland Laub

Additional information: Born in 1929 in Bucharest. Studied stage design at the N. Grigorescu Institute ot Fine Arts in Bucharest. Since 1964 he has been participating in exhibitions. He is a Honorary Citizen of Rmse (a town in Bulgaria), and he was awarded the Medal of Work as well as the Vth Class Order for Culture. His most important designs are stage sets to the operas Oedipus by George Enescu, Aida, Don Carlos, Othello by G. Verdi, Boris Godunov, Pelleas and Mélisande, Lohengrin, Tannhäuser and to many others. At present he acts as stage designer at the Rumanian Opera in Bucharest.

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• Mihail Madescu (Mihai Madescu)

Dridu
Additional information: Born in 1937; he studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. He participated in various exhibitions of graphics both at home and abroad /in Iraq, Syria, Libanon/ and in stage design exhibitions held in Bucharest /1964, 1967, 1971, 1976/, in Novi Sad /1972, 1975, 1978/ and in the Prague Quadrennial in 1971 and in 1975. Among his foremost designs are the sets and costumes for Ghelderode' s Fle- mish Visions, Goldsmith´s The Night of Embroilment, Racine' s Britannicus, Beaumarchais' The Wedding of Figaro, Brecht´s The Good Woman of Setzuan and The Life of Galileo, Arden' s Sergant Musgrave' s Dance, Mrozek' s The Exiles, Zindel' s The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Schiller's Don Carlos and for the plays of Rumanian authors such as L. Blaga, E. Oproiu, E. Covali, P. Anghel and others.

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Exhibiting works

• O. Goldsmith: (Pokořila se, aby zvítězila), 0
  
  
  
• Bertolt Brecht: (The Good Person of Szechwan ), 0
  

  

  

  

  
  
  
• Virgil Miloia (Virgil Miloia)

Additional information: Born in 1931 in Timişoara. He studied stage design at the N. Grigorescu Institute of Fine Arts. His most important designs are the stage sets to the plays Rosmersholm by H. Ibsen, Major Barbara by G. B. Shaw, Peace by Aristophanes, and to some plays by Rumanian authors. At present he ist at work as stage designer at the television studios in Bucharest.

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• Sanda Musatescu

Additional information: Born in Suceava. Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. Winner of the Prize of Young Actors, Stage Directors and Stage Designers (Bucharest 1954), the Amfora Prize (Bucharest 1969). She took part in the Ljubljana Exhibition in 1969. She has designed a number of stage and costume décors to various classical and modern plays for theatres in Bucharest and elsewhere. Her last work is the scenic design to Henry IV by Pirandello (Helsinki). In Bucharest she has brought into effect stage designs to The Italian Straw Hat by Labiche, and sets for some Rumanian playwrights, e.g. for Lucian Blaga (Meşterul Manole), Iosif Naghiu, Mircea Radu Iacoban, Ch. Vlad, and others. At present she is at work as stage designer at the Giuleşti Theatre.

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Exhibiting works

• Lucian Blaga: (Mesterful Manole), 0
  
  
  
• M. R. Jacoban: (Tango in Nizza), 0
  
  
  
• Dan Nemţeanu

Additional information: Born in 1930 at Fãlticeni. Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest, and made his debut in 1957. He is a Laureate of the Second and the Fourth National Competetion for Young Actors, Stage Directors and Scenic Designers held in 1957 and 1962 respectively, as well as the Laureate af the Drama Festival in 1958. He has participated in a number of stage-design exhibitions in Poland, Greece, France, Čuba, Italy, Switzerland and in Yugoslavia. His most important designs are stage sets to the plays The Killer Without Pay, Rhinoceros and The Chairs by E. Ionesco, A Man's a Man and The Caucasian Chalk Circle by B. Brecht, Othello, The Merry Wives of Windsor and Richard II (costumes] by W. Shakespeare, Cher Antoine and The Lark by J. Anouilh, and to plays by 0'Neill, Rostand, Moliēre, Musset. He has also designed sets to several Rumanian plays by Eugen Barbu, Alexandru Popescu, Mihai Sebastian, and others. He organized one man expositions, and that in 1968 under the heading Stage Design and Graphic Arts, and in 1970 under the heading In the Garden of Urmuz (designs).

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Exhibiting works

• Monica Lovinescu: (Et in Arcadia ego), 0
  
  
  
• Elena Patrascanu-Veakis

Additional information: She graduated as an architect. She has significantly contributed to the forming of the Tãndãricã Puppet Theatre in Bucharest, where she was the superintendent in the period 1945-1948. In the period 1971-1976 she was a professor of stage design composition at the Institute of Fine Arts in Bucharest. In 1968 she received an Honorable Mention for stage designs for two plays produced at the Matei Millo National Theatre in Timoşoara. She has participated in several exhibitions of stage and costume designs in Bucharest, as well as in Italy, Poland, The German Democratic Republic, etc., exhibitions to commemorate the XXVth anniversary of the liberation of Rumania in 1969, stage design exhibitions in Novi Sad /1970/ where Rumanian stage designers received a Bronze Medal and in the Prague Quadrennial in 1971 and in 1975. Among her foremost designs are the sets and costumes for productions of plays by Shakespeare, Molière, Chekhov, Gogol, O´ Neill, Tennessee Williams, W. Stevenson, Yannis Ritsos, Vercors, Labich, as well as plays by contemporary Rumanian play - wrights, the most important of which include Paul Everac, Dan Tãrchilã, Mircea Stefãnescu, M. R. Paraschivescu, P.C, Chitic, etc. She has contributed to the staging of over 100 theatrical plays in Bucharest and theatres throughout the country.

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Exhibiting works

• Eugene Labiche: (Gladiator's Thirty Millions), 0
  

  
  
  
• : (Sweet Bird of Youth ), 0
  
  
  
• Paul Everac: (Kdo jste?), 0
  
  
  
• Paul Cornel Chitic: (Obnova roucha sv. Augustina), 0
  
  
  
• W. Stevenson: (Jehla kmotry Gartonů), 0
  
  
  
• Vasile Penişoara-Stegaru

Additional information: Born in 1934 at Duda-Vaslui in Rumania. Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. He took part in the Exhibitions of the Republic in 1966 and 1968, in the Triennial of Scenic Design in 1967, in the Biennial of Painting and Sculpture in 1967 as well as in several inter-district and regional exhibitions within the years from 1964 to 1970, in the Exhibitions of Designs and Engravings in Bucharest in 1967, etc. He concerns himself also with book íllustrations, engravings, mural decoration. His most important designs are stage sets to plays by C. Goldoni, A. P. Chekhov, W. Shakespeare, as well as to plays by various Rumanian authors. At present he acts as stage designer of the National Theatre in Craiova. He participated at the Prague Quadrennial in 1971.

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Exhibiting works

• Jean-Paul Sartre: (The Trojan Woman ), 0
  
  
  
• Ecaterina Oproiu: (I Am Not the Eiffel Tower), 0
  

  

  

  
  
  
• Ion Popescu-Udrişte

Additional information: Born 1929 in Vladila Olt. Stage and costume designer at the Comedy Theatre in Bucharest. Professor at the Academy of Fine Arts in Bucharest.

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• Vladimir Popov

Additional information: Born In 1933 in Bucharest. Studied architecture at the Ion Mincu Institute of Architecture in Bucharest. He has been at work in the field of industrial design aesthetics, architecture, architectural decoration, scenic design both for the theatre and the film. His most important designs are stage sets to the plays The Marriage of Figaro by Beaumarchais, Macbeth and AIl´s Well that Ends Well by W. Shakespeare, Harap Alb by Ion Creangã, Winterset by M. Anderson, and to a number of plays by modern Rumanian playwrights, as Mihai Sebastian, Marin Sorescu, Paul Anghel, etc. He is the author of the project to the new House of Culture, and of the designs referring to a kinetic theatre. He has participated in numerous exhibitions as for instance in Bucharest (1967), Novi Sad (1966 and 1969) and in Cologne on the Rhine (1968).

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Exhibiting works

• L. Frank Baum: (The Dreamer of Oz), 0
  
  
  
• Pierre Beaumarchais : (The Marriage of Figaro ), 0
  
  
  
• F. D. Gilroy: (Who saves Albert Cobb), 0
  

  
  
  
• Paul Anghel: (Hero), 0
  
  
  
• Ion Creanga: (Harab Alb), 0
  

  
  
  
• Vasile Roman

Additional information: Born at Suceava in Rumania. Studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. He took part in the Exhibition for Young Artists in 1963, in the Triennial of Scenic Design in 1967, in the Exhibition of Painting and Sculpture in 1969. In 1961 he was awarded the Third Prize on occasion of the Decade of Original Dramas. He has designed stage sets to plays by C. Goldoni, I. L. Caragiale, A. Birsan G. Panco, Dario Fo and to plays by numerous ether Rumanian and foreign authors. At present he Is full-time lecturer at the N. Grigorescu Institute of Fine Arts.

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Exhibiting works

• Carlo Goldoni: (Mirandolina), 0
  

  
  
  
• Helmut Stürmer

Additional information: Born in 1942. Ke studied stage design at the N. Grigorescu Institute of Fine Arts in Bucharest. He had one man expositions of painting and graphic arts /Bucharest in 1968 and 1970/. His most important works are stage and costume designs to plays by L. K. Tolstoi, A. P. Ghekhov, A. Camus, T. Wilder, H. Pinter, Ecaterina Oproiu, Gh. Tomas , Th. Mazilu and others. He also designed the sets to a play by L. N.Tolstoi for the Municipal Theatre in Cologne on the Rhine. A present he is at work as stage designer at the State Theatre in Sibiu. He participated at the Prague Quadrennial in 1971.

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Additional information: Born in 1926, he studied stage design at the N.Grigorescu Institute of Fine Arts in Bucharest, where he later became a professor. He is a laureate of the lst and Ilnd National Competition of Young Actors, Directors end Stage Designers, which were organised in 1954 and 1957. Since 1962 he works as a stage designer at the Nationd Theatre in Bucharest. He has designed the sets and costumes for more than 200 productions in Bucharest and in other Rumanian cities. Among his foremost designs are those for productions of W. Shakespeare' s Othello and King Lear, Molière' s The Miser and Tartuffe, Lope de Vega' s The Gardener' s Dog, Dostoyevski´s The Idiot, Wilder' s Our Town, Feuchtwanger 's The Devil in Boston end also for productions of plays by both classical and contemporary Rumanian playwrights, such as V. Alecsandri, B.P. Haşden, I.L. Caragiale, Horia Lovinescu, V. Eftimiu and P. Anghel. He participeted in stage design exhibitions in Novi Sad where Rumanian stage designers obtained a Bronze Medal and in the Prague Quadrennial in 1971 and in 1975.

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Exhibiting works

• Feuchtwanger: (Ďábel z Bostonu), 0
  
  
  
• Paul Anghel: (Hero), 0
  
  
  
• George Bernard Shaw: (Captain Brassbound's Conversion ), 0
  
  
  
• Lope de Vega: (The Dog in the Manger ), 0
  
  
  
• Traian Niţescu

Additional information: Born 1924 in Băceşti Roman. Stage and costume designer, professor at the Art Institute Titu Maiorescu in Bucharest. He exhibited in the 1971,1975,1979,1983 and 1987 Prague Quadrennial.

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Exhibiting works

• John Webster: (The White Devil), 0
  
  
  
• Adriana LEONESCU

Exhibiting works

• G. Calinescu: (Enigma Otiliei), (National Theatre), 0