PQ 2015
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THE INTERNATIONAL EXHIBITION: Countries and Regions
An exhibition of a thousand theatre artists from 60 countries and regions.
SHAREDSPACE 2013- 2016
Art and research project presents symposiums, workshops or exhibitions in 11 countries.
OBJECTS
Objects and their stories – this is the main theme of “Objects”, an exhibition open to individual artists.
2015 » United Kingdom » Section of Countries and Regions
Curator: | Kate Burnett |
Designer / Architect of exhibition: | Patricia Grasham |
Institution: | Society of British Theatre Designers |
Make/Believe - UK Design for Performance 2011-15
Welcome to Make / Believe at the Prague Quadrennial 2015. The 22 designers here representing the UK have been selected from our national exhibition of over 150 designers in January 2015. Our exhibition and catalogue title Make / Believe indicates the skills, vision and commitment found in the diversity of today’s UK performance design and as exemplified here within the temporal contexts of music, weather and politics.
All of these production designs explore and occupy a passage of time, – story time, time lived, time lost and the ‘necessary’ time – to make, achieve, overcome and resolve. They variously consider the relationship between audience and performer, between performance and society and grapple with the UK’s identity, our history, politics and our future, including how we relate to the rest of the world.
They encompass designs for found space, digital, landscape, heritage, media and a range of community contexts. A variety of performance spaces, from opera house to cardboard box, from pebbled beach to helicopters, in rain, waves, car headlights and LED projection, enable the re-envisioning of buildings, gardens, characters and their narratives.
All of the work shown here was created as a part of the process of designing and making sets, costumes, lighting, sound and other aspects of performance production. What started as ideas, responses, conversations,
sketches in 2D and 3D, developed through craft and technical skills, collaboration with other artists and makers. Many of these designers were also the makers, painters, finishers, producers, performers even, of their realised designs.
For Make / Believe they have re-visited their work, in many instances re-conceiving it for a new form of performance – one in which the design is displayed in its own right, not in the measured timeframe of live performance, but in both the contemplative space of the print catalogue and the projected, immersive experience of our gallery installation. We have brought no models, artefacts or costumes. Instead, with this entirely virtual presentation we celebrate the temporal, transient aspects of scenography as they transform, decorate and comment on their palace environment.
We ask that PQ visitors spend some time with us in the illusory worlds of these visual narratives, and hope that this joyful and inspirational collection of work will provide pleasure, fantasy and contemplation, while also provoking ideas for new performance materials, technologies and contexts.
Our PQ installation is a collaboration between the selected designers, exhibition designer Patricia Grasham, students of the Backstage Academy, Wakefield, d3 Technologies, Fix8 Group and Wimbledon College of Arts, UAL. The SBTD Selection Panel for PQ2015 from the UK Open National Exhibition comprised designers: Vicki Mortimer, Kathy Sandys and Sophie Jump, Curator Kate Burnett, exhibition designer/co-ordinator Trish Grasham, chaired by Sean Crowley, in consultation with Kate Bailey V&A Curator and with the input of emerging designers Brad Caleb Lee, Hannah Boothman and Jesca Warren (Make/Believe exhibition and catalogue team).
Exhibiting artists / ateliers
[show all | hide all]- Lucia Conejero Rodilla
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Jesús Capel Luna: (Ballast),
Collective La Strada Fashion Circus
2011, Director: Director and Choreographer: Jesús Capel Luna, Sound Designer: Oceane Peillet Sunniva
Photographers: Lucía Conejero Rodilla and Conrad Hafenrichter ;
Comments: ‘Ballast’ is a metaphor of mind pains that are externalized through physical lesions embodied by metal pieces. They are located inside the interactive costume and the performer removes them symbolizing his escape from emotional troubles, thus communicating sensations of heaviness and weightlessness. - Tanja Beer
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Tanja Beer: (The Living Stage),
The Living Stage/Plantable Research Collective
2013, Director: Various devised works by CreateAbility, Born in a Taxi and Plantable, Set Designer: Tanja Beer
Costume Designer: Adrienne Chisholm (Castlemaine)
Permaculture Designers: Hamish MacCallum and Sas Allardice (Castlemaine) and Sam Holt and the Riverside Community Allotments (Cardiff) ; Identification of exhibit:
photo ;
Comments: The Living Stage combines stage design, permaculture and community engagement to create a recyclable, biodegradable and edible performance space. Moving beyond recycling and efficiency, the project poses a more radical question: ‘Can we create designs that not only enrich our audience, but also our community and environment?" - Frank Conway
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Sam Shepard: (A Particle of Dread (Oedipus Variations) ),
Field Day Theatre Company
2013, Director: Nancy Meckler, Costume Designer: Lorna Marie Mugan
Lighting Designer: John Comiskey
Sound Designer: Sam Jackson
Composer and Cellist: Neil Martin
Photographer: Ros Kavanagh/ Frank Conway ; Identification of exhibit:
model , sketch, photo ;
Comments: This new version of the Oedipus story addresses the idea of collective guilt arising from unresolved historical trauma – an idea that particularly resonated with the Derry audiences. Shepard spoke of his interest in the murder as a crime investigation. We created a place for forensic investigation, where there were no shadows and there was nowhere to hide. - Bob Crowley
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William Shakespeare; Composer: Joby Talbot: (The Winter's Tale),
Royal Ballet at the Royal Opera House
2014, Director: Director and Choreographer: Christopher Wheeldon, Lighting Designer: Natasha Katz
Silk Effects Designer Basil Twist
Projection Designer: Daniel Brodie
Photographer: Jaimie Todd
; Identification of exhibit:
model , photo ;
Comments: The 'Wishing Tree' is a place of pilgrimage in Bohemia. The young lovers Perdita and Florizel meet there. Its natural sculptural shapes and verdant colours are the opposite of the grey Spartan Sicilian Court. -
David Hare : (Skylight),
Wyndhams Theatre
2014, Director: Stephen Daldry, Lighting Designer: Natasha Katz
Composer: Paul Englishby
Sound Designer: Paul Arditti
Photographer: Ros Coombes ; Identification of exhibit:
model , photo ;
Comments: A flat on a housing estate in North London in 1995. - Simon Daw
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Franz Kafka: (The Metamorphosis),
Royal Opera House
2011, Director: Director/Choreographer: Arthur Pita, Lighting Designer: Guy Hoare
Music: Frank Moon ;
Comments: Arthur Pita’s adaptation of Franz Kafka’s 1915 novella, staged in claustrophobic traverse, tells the horrifying story of Gregor Samsa’s (Royal Ballet Principal Edward Watson) extraordinary transformation evoked by startling physical distortions and a black liquid that seeps from his body infecting the clinical white apartment he inhabits. -
Zoe Svendsen/ Simon Daw: (3rd Ring Out),
METIS
2011, Director: Zoe Svendsen and Simon Daw, Designer: Zoe Svendsen and Simon Daw
Sound Designer: Carolyn Downing ;
Comments: 3rd Ring Out, performed inside a converted shipping container placed in the public realm, puts the audience in control of an emergency planning center on the UK coast in 2033. Charged with making a series of difficult choices relating to this climate-changed future, the audience members vote, the results of which define the narrative journey that ensues. - Becky Minto
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Originally conceived by Mark Murphy: (White Gold),
(Iron-Oxide - Glasgow 2014 Cultural Programme),
2014, Director: Simone Jenkinson and Joseph Trayor; Cuerda Producciones, Aerial Consultant: Jennifer Paterson
Lighting Designer: Lizzie Powell
Composer: Nathaniel Reed
Head Rigger: Alex Palmer, Cold Mountain Kit
Assistant Director: Brigid McCarthy
Photography: Iron-Oxide ;
Comments: From the metal girders and columns of the shed we suspended the set, lighting, sound, aerial constructions and people. The audience were led into spaces that constantly shifted from small rooms to wide open areas, changing their perspective of the environment. Over 100 actors and aerialists included both professionals and volunteers. -
Rob Evans and the Community of the Shetland Isles: (Ignition),
National Theatre of Scotland in association with Shetland Arts Trust
2013, Director: Wils Wilson
Associate Director: John Haswell, Choreographer: Janice Parker Parkour Director: Chris Grant Lighting Designer: Ross Corbett Sound Designers: Hugh Nankivell and JJ Jamieson Associate Artists: Lowri Evans and Jacqui Clarke Photographer: National Theatre of Scotland and Simon Murphy ;
Comments: Over six months, all 23,000 inhabitants of Shetland were invited by the National Theatre of Scotland, to explore their bittersweet relationship with the automobile – how it defines us, supports us, frees us and, sometimes, kills us. It became apparent that the vehicle would become our auditorium, the landscape of Shetland, our stages and backdrops. - Myriddin Wannell
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Owen Sheers: (The Passion),
Wildworks & National Theatre Wales
2011, Director: Co-Directors: Michael Sheen & Bill Mitchell, Musical Director: Claire Ingleheart
Sound Designer: Mike Beer ;
Comments: Drawing inspiration from one of the defining narratives of our times, this riotous contemporary re-telling of the Passion story took place across the town of Port Talbot, with local people as cast, crew and heroes. Supported by over 1,000 community volunteers, the production celebrated a town and its people bringing over 22,000 visitors to the area. - Paul Brown
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Giuseppi Verdi: (Nabucco),
New National Theatre
2013, Director: Graham Vick, Lighting Designer: Wolfgang Goebbel ;
Comments: The Temple of Consumerism is under attack by the forces of Anarchy; windows broken and paint smeared over the ‘desirable’ merchandise. Eventually the anarchists end up worshipping what they sought to destroy, and only through Nature is a resolution reached, as rain pours down on the escalators and the marble floor slabs reveals earth beneath them. -
Jean-Philippe Rameau: (Hippolyte et Aricie),
Glyndebourne Opera
2013, Director: Jonathan Kent, Choreographer: Ashley Page
Lighting Designer: Mark Henderson ;
Comments: In Diana’s glacial kingdom, Cupid creates a thaw, building a vegetable Arcadia out of the ingredients of the fridge. We travel to Hell (the grimy area behind the appliance inhabited by baroque flies), the bedroom of a couple locked in a loveless relationship, and a refrigerated mortuary housing the victim’s bodies of Diana and Cupid’s experiment. -
Karlheinz Stockhausen: (Mittwoch aus Licht),
Birmingham Opera Company
2012, Director: Graham Vick, Music Director: Kathinka Pasveer
Lighting: Giuseppe Di Iorio
Choreography: Ron Howell ;
Comments: In ‘Mittwoch aus Licht’ minute movements are prescribed which need to be followed. Conversely huge flights of fantasy are described that one can only react to with lateral solutions. Of course you need four helicopters and a dancing camel but the way that the audience perceive the work needs to be anything but concrete. - Chris Gylee
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Nikki Schreiber: (Cheese),
(fanSHEN),
2013, Director: Dan Barnard & Rachel Briscoe, Lighting Designer: Joshua Pharo
Sound Designer: Richard Hammarton ; Identification of exhibit:
sketch ;
Comments: A drab London office. Three casualties of the financial crash tell us the story of a world where cheese is the only measure of wealth. As their narrative progresses, the seemingly trustworthy space opens up, revealing layer after hidden layer. We sink into a reality where nothing is certain. Vistas shift, and the horizon creeps into the distance. - Cécile Trémolières
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Impermanence Dance Theatre: (Impermanent Theatre),
Impermanence Dance Theatre
2014, Director: Devised with the Impermanence Theatre Company, Josh Ben-Tovim, Roseanna Anderson, Daniel Hay-Gordon, Ale Marzotto, Eleanor Perry, Patricia Langa., Choreographer and Costume Designer: Impermanence Dance Theatre
Set Design in collaboration with architect Patrick Morris ;
Comments: IDT do not rehearse. They react to the environment and the audience in the space and on the day they are performing. The scenography here is not about making a set but framing the performance space in order to enhance its beauty and dynamism. The structure had to respond to this variety, flexible enough to take the shape of any stage configuration. - Ashley Shairp
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Ashley Shairp: (Solotoria),
'Planning a Trifle' theatre company (Ashley Shairp and Sam Heath)
2014, Director: The company and Tony Lidington, Lighting,Sound and Social Media Designer: Sam Heath
Makers: Nina Patel-Grainger, Ashley Shairp and Colin Eccleston
Photographer: Sam Heath ;
Comments: Solotoria is pop-up theatre for one: truly immersive miniature entertainment. Inspired by toy theatres, our concentrated shows give individual audience members surprising theatrical experiences lasting between two and three and a half minutes. The tiny theatres are fantastical facsimiles of the Royal Opera House, London and Blackpool Grand Theatre. - Samal Blak
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Opera by Modest Musorgsky, A new English version by Max Hoehn: (Khovanskygate: A National Enquiry),
Birmingham Opera Company
2014, Director: Graham Vick, Movement Director: Ron Howell
Lighting Designer: Giuseppe Di Iorio
Conductor: Stuart Stratford
Chorus Master: Jonathan Laird
Birmingham Opera Company Chorus
Birmingham Opera Company Actors and Dancers
CBSO Children’s Chorus
City of Birmingham Symphony Orchestra
BANDA formed by students of Birmingham Conservatoire ;
Comments: Set in a modern political election rally tent, 60m x 40m, a walkabout experience, in which the audience freely followed the action as they moved around the space. Several stages were constructed, elevated from the floor. Thus the design provided both larger spaces for public scenes as well as smaller, almost cramped areas for intimate scenes. - Janet Vaughan
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Talking Birds: (The OakMobile),
Talking Birds for the National Trust
2013, Director: Ola Animashawun, Lighting Designer: Janet Vaughan
Sound Designer: Derek Nisbet
Production/Media Designer: Janet Vaughan
Construction: Jonathan Ford
Photographer: Janet Vaughan ;
Comments: The OakMobile design mixes architectural details from Midlands National Trust properties with iconic elements of the Birmingham skyline, growing out of an acorn cup (the NT logo). It is a mini theatre which operates as a kind of mobile property for the NT in Birmingham, visiting inner city parks to engage with people from hard-to-reach communities. -
Talking Birds: (Capsule),
Helen Martin Studio, Warwick Arts Centre
2011, Director: Talking Birds, Construction: Andy Martin
Sound Designer: Derek Nisbet ; Identification of exhibit:
photo ;
Comments: Capsule was a short immersive theatre piece in an empty warehouse, devised around the re-use of a 3m x 2m pod originally designed for a conference. The audience sat inside the pod, the action happened outside it, largely experienced through a rich soundscape and glimpsed through the pod's doorways. - Neil Murray
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Original TV scripts: Ray Galton and Alan Simpson, Adaptation: Emma Rice: (Steptoe and Son),
Co-produced by Kneehigh Theatre and West Yorkshire Playhouse
2012, Director: Emma Rice, Lighting Designer: Malcolm Rippeth
Score and Sound Designer: Simon Baker
Projection Designer: Mic Pool
Choreographer: Etta Murphitt
Assistant Director: Simon Harvey
Photographer: Steve Tanner ;
Comments: For this stage adaptation of an old UK TV series the scrap merchants' world spills out of their cart through two large doors advertising the scrap yard; big enough to contain all the furniture and props needed, but light enough to pull manually. Upstage a huge rough, ragged sky of scrap clothes with a large moon which sometimes becomes a clock. - Kate Lane
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: (Brave New World 1: Utopia),
Brave New Worlds
2013, Director: Directors: Valentina Ceschi, Guoda Jarusceviciute, Kate Lane, Set and Costume Designers: Valentina Ceschi, Guoda Jarusceviciute, Kate Lane
Lighting Designer: Beatrice Rocchi
Sound Designer: Caroline Devine
Text: Thomas Eccleshare
Photographer: Jemima Yong, Camilla Greenwel ;
Comments: BRAVE NEW WORLDS are a design-led company based in the UK and Lithuania, exploring how design can be a live art form and look to create contemporary performance that is instigated through scenography. Their work is devised through the design process, exploring how the performance space is manipulated by objects and costume. - Conor Murphy
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Richard Wagner : (Lohengrin),
Kungliga Operan
(Royal Swedish Opera),
2012, Director: Stage Director: Stephen Langridge
Conductor: Alan Gilbert, Lighting Designer: Fabrice Kebour Production Media Designers: Thomas Bergmann & Willem Bramsche Photographers: Erik Dahlberg & Alexander Kenney ;
Comments: The design for ‘Lohengrin’ aimed to create a mythical space where light was integral to both the dramatic action and to the re-orientation of the space during the 3 acts. Lohengrin himself becomes manifest from a dream: he emerges from the depths of the river and is borne into the light in the form of a reversed video image of a drowning man. - 針生 康 (Shizuka Hariu)
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Grafton Architects, Pezo von Ellrichshausen, Li Xiaodong, Kengo Kuma, Diébédo Francis Kéré, Eduardo Souto de Moura, Álvaro Siza: (Sensing Spaces),
Royal Academy of Arts, London
2014, Director: Exhibition Curation: Kate Goodwin, Architectural Installation: Grafton Architects (Diébédo Francis Kéré, Kengo Kuma, Li Xiaodong, Pezo von Ellrichshausen, Álvaro Siza, Eduardo Souto de Moura)
Exhibition and Lighting Design: Shizuka Hariu/SHSH Architecture+Scenography
Photographer: SHSH Architecture+Scenography ;
Comments: This exhibition features 7 installations by 7 architects. The exhibition design transforms and re-envisions the existing historical architecture. The lighting designs for Grafton’s installations give the effect that presented the movement of sunlight on a winter’s day in London to ultimately enhance the intensity of light and time. -
: 雲と群衆 (Cloud/Crowd),
新国立劇場
(New National Theatre Tokyo ),
2014, Director: Japon Dance Project, Choreography and Dance : Yasuyuki Endo, Naoya Aoki,MasahiroYanagimoto, Mimoza Koike, Hokuto Kodama Guest Dancers: Kenta Kojiri, Yui Yonezawa, Ayako Ono, Akimitsu Yahata, Chiaki Horita, Mikio Kato
Scenography: Shizuka Hariu
Lighting: Hisashi Adachi
Costume: Akemi So
Music: Davy Bergier
Stage Manager: Hajime Morioka ;
Comments: Cloud/Crowd is a contemporary dance by 5 choreographers and 11 dancers. The scenography realizes the concept of the performance. A large-scale cloud structure is set above the stage whose volume and height can be transformed throughout the performance. It allows both audiences and performers to fully experience the metamorphosis of the cloud. - Matt Deely
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Akram Khan: (iTMOi),
Akram Khan Company
2013, Director: Director and Choreographer: Akram Khan, Composers: Nitin Sawhney, Jocelyn Pook and Ben Frost
Set Designer: Matt Deely
Costume Designer: Kimie Nakano
Lighting Designer: Fabiana Piccioli
Photographer: Jean-Louis Fernandez ;
Comments: A contemporary dance piece, inspired by The Rite of Spring. Akram was interested in the dynamics of how Stravinsky transformed the classical world of music by evoking emotions through patterns. I wanted to support this concept with the design of a simple floating frame, which came to life on the stage with smoke, lighting, movement and shadows. - Kimie Nakano
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Akram Khan: (iTMOi),
Akram Khan Company
2013, Director: Director and Choreographer: Akram Khan, Composers: Nitin Sawhney, Jocelyn Pook and Ben Frost
Set Designer: Matt Deely
Costume Designer: Kimie Nakano
Lighting Designer: Fabiana Piccioli
Photographer: Jean-Louis Fernandez ; Identification of exhibit:
model , photo ;
Comments: Inspired by Igor Stravinsky’s “The Rite of Spring" and 3 key words, Rupture, Death and Birth. Costume fabric textures and colors allude to the world around Stravinsky. He lived very close to nature and was inspired by its sounds, like breaking ice. Characters are inspired by Stravinsky’s tradition dance and ritualistic music themes. - Es Devlin
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Wolfgang Amadeus Mozart / Lorenzo Da Ponte: (Don Giovanni),
Royal Opera House
2014, Director: Kasper Holten, Video Designer: Luke Halls
Costume: Anja Van Kragh
Choreography: Signe Fabricius
Lighting: Bruno Poet ;
Comments: Don Giovanni has been called the graveyard of designers - it’s notoriously difficult to create a design that works for every aspect of this tonally complex work. This is my second attempt - the first was with Keith Warner in Vienna in 2006 - and in both cases it took a series of iterations and multiple false starts before arriving at the design.
- Leslie Travers
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Benjamin Britten / Montagu Slater: (Grimes On The Beach),
Aldeburgh Festival
2013, Director: Tim Albery, Lighting Designer: Lucy Carter
Photographer: Robert Workman ;
Comments: Peter Grimes had never been produced as a performance in Benjamin Britten’s Aldeburgh, even though Britten spent much of his life in the seaside town, starting the Aldeburgh Festival and setting Grimes there. As part the Aldeburgh Festival’s celebration of Brittens birth centenary, it was decided to explore the feasibility of a Grimes premiere in Aldeburgh. - Abigail Hammond
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: (RIOT Offspring),
RIOT Company
2012, Director: Creative Producer: Jane Hackett, Choreographers: Ivan Blackstock, Mafalda Deville, Pascal Merighi, Simeon Qsyea, Sebastien Ramirez
Set Designer: Creative team
Costume Designer: Abigail Hammond
Lighting Designer: Adam Carree
Composer: Igor Stravinsky: The Rite of Spring (Le sacre du printemps)
Orchestra: Southbank Sinfonia,
Conductor: Gerry Cornelius
Writer: Yemisi Blake
Photographer: Bettina Strenske ;
Comments: I was attracted to working on RIOT Offspring by the 100 performers: young mothers and their babies, children, teenagers, emerging professionals and the Company of Elders (92 is the eldest). It responds to the riots in London and the UK in 2011 in contrast to the riots that the Rite of Spring ballet induced over 100 years ago. - Association of Sound Designers
* 1981, Valencia, Spain
Specialization: costume designer, scenographer, Fine Artist
Education: Polytechnic University of Valencia (Spain), Fine Arts Licenciatura (BA+MA). Royal Central School of Speech and Drama, London (UK), Scenography MA (pass with Distinction). National College of Teaching and Leadership (UK), Qualified Teacher Status.
Additional information: Multidisciplinary artist who worked in the ‘Palau de les Arts Reina Sofía’ and for ‘La Pulqueria’ (Sony-BMG). Her designs have been seen at the English National Opera, Riverside Studios, MTV, Proud2 (O2 Arena), etc.
Exhibiting works
Specialization: scenographer
Additional information: Exploring the intersection between performance and ecological design, Tanja’s projects seek to embrace the possibilities of ‘ecoscenography’ – a movement that integrates ecology with scenographic practice.
Exhibiting works
* n/a, Ireland
Specialization: scenographer, Film Production Designer, Artist, Lecturer in Scenography
Education: Motley Theatre Design Course at the English National Opera, London. NCAD Dublin
Collaboration with theatres: Field Day Theatre Company Derry
Teaching activities: Lectures and workshops: IT Sligo, NUI Galway, Trinity College and NCAD, Dublin. Motley Theatre Design Course, London
Participation in other important exhibitions: World Stage Design 2013
Continuing collaboration with directors: Stephen Rea
Awards: Twice recipient of the Harvey’s award for Best Theatre Design
Additional information: He assisted Tanya Moiseiwitsch at the Met NY. Designed extensively for theatre and film, recently Particle of Dread for Signature NY. Head of Design at the Abbey Theatre. Films include Beckett on Film and The Field.
Exhibiting works
* n/a
Specialization: scenographer
Awards: Royal Designer for Industry Award; Robert L. B. Tobin Award for Lifetime Achievement in Theatrical Design at the TDF/Irene Sharaff Awards in New York.
Additional information: Recent productions: Skylight (Wyndhams Theatre, London), Aladdin (Disney – Toronto & Broadway), The Glass Menagerie (American Rep Theatre, USA & Broadway), The Audience (Gielgud Theatre), Once (London, Broadway & US Tour), People (National Theatre).
Exhibiting works
* 1976, Southampton, UK
Specialization: scenographer, Costume Design, Video Design
Education: BA (hons) Glasgow School of Art and Motley Theatre Design Course
Additional information: He has created designs for a wide range of companies including the Royal Opera House, Aldeburgh Festival, National Theatre, Young Vic and inside two shipping containers that toured the UK. www.simondaw.com
Exhibiting works
* 1965, Liverpool
Specialization: scenographer
Education: Royal Welsh College of Music and Drama
Collaboration with theatres: Grid Iron, National Theatre of Scotland
Teaching activities: Lecturer - Edinburgh College of Art, Design Mentor Royal Conservatoire of Scotland
Continuing collaboration with directors: Ben Harrison, David Leddy
Additional information: She designs sets & costumes covering a wide range of productions for main-house theatre, dance and aerial performances, site-specific and large outdoor spectacles (Closing Ceremony Glasgow Commonwealth Games 2014).
Exhibiting works
* 1980, UK
Specialization: scenographer
Education: BA HONS Theatre Design - Wimbledon School Of Art; BA HONS Fine Art – Falmouth College Of Art
Additional information: Set and Costume designer specializing in site and people specific work. WildWorks Associate Designer, collaborators also include Kneehigh, Kensington Palace, National Theatre Wales, The Eden Project, BBC, National Theatre London, BAC, Punchdrunk.
Exhibiting works
Specialization: scenographer
Education: Motley Theatre Design Course
Additional information: Designs include productions for London, New York, Verona, Milan, Bregenz, Tokyo, Pesaro, Birmingham Florence, Glyndebourne, Paris, San Francisco, Chicago, Santa Fe, Madrid, Sidney, Salzburg, St. Petersburg, Moscow.
Exhibiting works
* 1983, UK
Specialization: scenographer, Theatre Maker
Education: Royal Holloway, University of London (BA: Drama & Theatre) Bristol Old Vic Theatre School (PGDip: Theatre Design)
Additional information: Whether for theatres or less traditional surroundings, from text or in the devising room, the story always finds itself at the center of Chris’s designs. He is based between Berlin and the UK. chrisgylee.co.uk.
Exhibiting works
* 1989, L’Haÿ-les-Roses (France)
Specialization: scenographer
Education: Wimbledon College of Arts, BA Design for Performance Sorbonne, Ba French Literature
Collaboration with theatres: The Yard
Participation in other important exhibitions: Linbury Prize for Stage Design
Continuing collaboration with directors: Jude Christian, Tom Hughes, Ilinca Radulian
Additional information: Born in Paris. Trained at Wimbledon College of Arts. Cécile was a Finalist for the 2013 Linbury Prize and awarded the Royal Opera House Bursary, nominated Best Designer Offies 2015 for Piranha Heights (Old Red Lion).
Exhibiting works
* 1964, Lincoln, UK
Specialization: scenographer, Costume Design
Education: BA (Hons) Theatre Design, Trent Polytechnic, Nottingham
Teaching activities: Course Leader: Theatre and Performance Design, the Liverpool Institute for Performing Arts, Liverpool, UK
Participation in other important exhibitions: Collaborators: UK Design for Performance, Nottingham and V&A (2007); Transformation and Revelation: UK Design for Performance, Cardiff and V&A (2011)
Additional information: He has worked as a theatre designer and maker for nearly 30 years. He is also an educator and the Course Leader for Theatre and Performance Design at the Liverpool Institute for Performing Arts (LIPA).
Exhibiting works
Faroe Islands
Specialization: scenographer
Education: BA(hons) Design for Performance, Central Saint Martins
Awards: Linbury Prize for Stage Design 2009
Additional information: BA(hons) Design for Performance, Central Saint Martins; Linbury Prize Winner 2009; Work with Graham Vick: OTELLO-Verdi, LIFE IS A DREAM-Dove, KHOVANSKYGATE-Mussorgsky, FALSTAFF-Verdi.
Exhibiting works
* 1970, Walsall, England
Specialization: scenographer, Co-Artistic Director of Talking Birds
Education: BA(Hons) Theatre Design, Nottingham Polytechnic
Collaboration with theatres: Talking Birds Theatre Company The Belgrade Theatre, Coventry
Participation in other important exhibitions: SBTD National Exhibitions 1999, 2002, 2006, 2010
Additional information: Janet Vaughan has designed site specific and touring performances, created installation artworks for unusual and digital spaces, and made controlled forays into the world of public art.
Exhibiting works
Specialization: scenographer
Collaboration with theatres: Kneehigh Theatre: Lyceum, Edinburgh: West Yorkshire Playhouse: Nottingham Playhouse: Birmingham Rep
Participation in other important exhibitions: Solo exhibition Hatton Gallery, Newcastle-upon-Tyne, 2013; UK National Exhibitions MakeSpace! 1994; Collaborators 2007
Continuing collaboration with directors: Emma Rice: Tony Cownie: Mark Thomson
Additional information: He is a multi award-winning artist: Currently his key collaborative directors are Emma Rice (Kneehigh Theatre), Tony Cownie (Lyceum, Edinburgh): Full profile: www.neilmurray.org.uk
Exhibiting works
* 1980, London
Specialization: costume designer, scenographer
Education: BA (hons)Visual Arts:Sculpture, Camberwell College of Arts MA Costume Design for Performance, London College of Fashion
Teaching activities: Lektorka, Central Saint Martins
Additional information: She is a designer for live performance specializing in Costume Design. She’s a founding member of the performance collective Brave New Worlds. Her work looks at creating moments on stage where design is a catalyst for the performance.
Exhibiting works
Specialization: scenographer
Education: BA in Theatre Design (Wimbledon School of Art) MA in Scenography (HKU Utrecht/Central Saint Martins)
Teaching activities: Motley Theatre Design Course, Birkbeck Theater Directing MFA (University of London), Bristol Old Vic Theatre School, Liverpool Institute for Performing Arts (LIPA)
Participation in other important exhibitions: World Stage Design 2013 Make/Believe: UK Design for Performance 2011-2015, Transformation & Revelation: UK Design for Performance 2007-2011, Collaborators: UK Design for Performance 2003-2007.
Awards: Bronze medal in World Stage Design 2013
Additional information: He studied design at Wimbledon School of Art in London and gained an MA in Scenography in Holland. He has designed sets and costumes for opera, theatre and dance productions in the UK and internationally.
Exhibiting works
* 1975, Japan
Specialization: scenographer, Lighting Design, Architectural Design and organiser for disaster relief
Education: PhD Candidate, Leeds Metropolitan University, UK Research, Confirmation Stage, Central Saint Martins College Art& Design, UK MA Architecture, Tokyo University of Science, Japan
Collaboration with theatres: Sadler’s Wells Theatre, Theatre des Champs-Elysees, New National Theatre Tokyo and others.
Teaching activities: Guest Lectures at, Royal Holloway University
, Bucks New University, Royal Institute of British Architects in London, London South Bank University, Clerkenwell Design Week
, Japanese Embassy in UK, La Cambre Architecture
, Central Saint Martins College of Art & Design
Participation in other important exhibitions: Make/Believe – UK Design for Performance, Nottingham, UK
'3 ans aprés tsunami' La Maison du Culture du Japon, Paris, France
World Stage Design Finalist Exhibition, Royal Welsh College of Music & Drama, Cardiff, UK, Invisible Need of Life, deSingel, Antw
Continuing collaboration with directors: Akram Khan, Yasuyuki Endo, Olga de Soto, Rosalba Toress/Les Ballet C de la B, Frederick Wake-Walker, Matt Steinberg and others.
Awards: The Critic choice award 2012-2013 in Belgium, Débords-Green Table 1st Prize, Kunsten Festival des Arts, Main festival centre scenography
POLA Arts Foundation, Young Artist Grant
Japanese Government, Agency for Cultural Affairs Artist Grant Tokyo Design Centre Award
Additional information: She is a multidisciplinary designer and co-director of SHSH Architecture+Scenography. She has worked for Akram Khan, Sylvie Guillem, Les Ballet C de la B, the Royal Academy of Arts and many others.
Exhibiting works
Specialization: scenographer
Continuing collaboration with directors: A dance piece Moon Opera with Yabin Wang
Additional information: A set designer for 15 years in opera, theatre, dance and recently stadium events, a commemoration event in Rwanda 2014 and art director at the 2012 Olympics opening ceremony.
Exhibiting works
* 1965, Fukuoka
Specialization: costume designer, scenographer
Education: ENSATT Theatre Cosutme, Wimbledon College of Art MA Theatre Design , Musashino college BA Literature
Collaboration with theatres: Akram Khan Company, Sadlers Wells Theatre ,Les Grands Ballets Canadiens de Montréal, English National Ballet, Longborough Festival Opera, Lithuanian National Opera and Ballet Theatre,Rambert Dance Company , Aditi Mangaldas Dance Company
Participation in other important exhibitions: SBTD national exhibitions
Continuing collaboration with directors: Akram Khan, Didy Veldman , Carmen Jacobi, Yabin Wang
Additional information: Intercultural projects internationally include the Lithuanian National Opera and Ballet Theatre, Les Grands Ballets canadiens de Montréal, Akram Khan Company, ENB, Rambert Dance Company, Loughborough Festival Opera.
Exhibiting works
Specialization: scenographer
Awards: Olivier, Critics Circle, TMA, TPI and Linbury awards
Additional information: She designs for opera, theatre, live music, events and dance. She designed the Closing Ceremony of the London 2012 Olympics and is currently working on Carmen on the lake at Bregenz.
Exhibiting works
Specialization: scenographer
Education: Wimbledon School of Art
Additional information: He has designed extensively for theatre, opera and dance in the UK and internationally.
Exhibiting works
Additional information: She studied Dance Theatre at Laban Trinity (1985) and has since designed costumes for over 100 choreographic works. She leads Costume Design at Wimbledon College of Art, UAL and is currently resident designer with Jasmin Vardimon Company.
Exhibiting works
* 2011, UK
Specialization: sound designer, Composition
Collaboration with theatres: Members of ASD work across a range of theatre productions and commercial projects – from fringe theatre to amateur, regional and West End productions, touring both nationally and internationally, with established award-winning production companies as well as new writers and directors.
Participation in other important exhibitions: World Stage Design
Awards: Individual members have successfully been awarded a wide range of international awards, including Tony, Olivier and Helpmann awards.
Additional information: The Association of Sound Designers is a professional association representing the interests of sound designers and others working in the UK theatre sound industry.
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