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2015 » Hong Kong » Section of Countries and Regions

Curator:Allan Shek Pang TSUI
Authors of Theme:Po Yu CHAN, Cindy Pui Shan HO
Designer / Architect of exhibition:Wai Man SIU
Institution:HKATTS (Hong Kong Association of Theatre Technicians and Scenographers)

Why Theatre Exists?

1964. Two years after the new ‘Bauhaus style’ Hong Kong City Hall had been opened in Central Hong Kong, it started to become the main theatre venue and cultural hub, which it remained for decades; Marshall McLuhan coined his infamous expression ‘the medium is the message’ in the same year, an influential media theory for the contemporary, at a time when television was still in its infancy, and the personal computer lay almost twenty years in the future.

2014. In a summer night some fifty years later, 87 cans of tear gas were fired in and around Central. That night, snapshot images and video clips of people being dispersed by the gas were, in an instant, all over television news, home TV screens, smartphones and social networks.

We believe theatre is a ‘mirror to society’, allowing it to examine itself; a world of ‘concentrated reality,’ we find pieces of ourselves in it; it is also a door for provoking thoughts and changes; theatre artists open conversations with the audience about the environment, community and philosophy, establishing an extended and in-depth thinking with their works. Apart from creating a meaningful dialogue, their greatest desire is to respond to what is happening in society. Faced with Hong Kong’s current situation, as local theatre practitioners we must ask ourselves: Why Theatre Exists?

The exhibition has three sections: EXPLORE, EXPERIENCE, EXIT. Visitors must take off their shoes before entering. Why Theatre Exists? will be imprinted at the entrance wall, manifested our theme to explore, as well as an question to all visitors. Hong Kong’s most representative theatre works will be shown on the side walls, and in models, renderings, videos, photos.

EXPLORE

Black is the keynote of theatre, as well as of our concept of exploring the use of space. Thermochromic technology requires visitors to use their body-heat to interact with the space while at the same time exploring different esthetics of theatre.

EXPERIENCE

Interviews for Why Theatre Exists? will be projected onto the wall, with people sharing their experiences of ‘how theatre is their exits’ shown through the only small window in the room.

EXIT

Interviewees’ voices will be heard and the warmth of visitors’ feet will make the floor disappear to reveal the sky underneath. Their feet and the ‘blue sky’ are merged, narrowing the distance between their body and mind, to reflect themselves and again asking the question: Why theatre exists?

Exist is Exit? Exist or Exit?

Being one of the oldest creative industries in the world, what does THEATRE mean to Hong Kong? What is its value and position? Are we seeking communication, relief, creation or self-satisfaction? The small window that exists in our confined space is the only exit from the room.


Curators : Allan Shek Pang TSUI, Billy Cheuk Wah CHAN Theme authors, designers/ architects of exhibition: Po Yu CHAN, Cindy Pui Shan HO, Wai Man SIU, Ted Kin Tak CHAN, Tsz Yan YEUNG

Exhibiting artists / ateliers

[show all | hide all]
  • 銘鏗 劉 (Ming Hang Lau)
  • 逸君 黃 (Jonathan Yak Kwan WONG)
  • 子欣 楊 (Tsz Yan YEUNG)
  • 珮姍  何 (Cindy Pui Shan HO)
  • 偉發 陳 (Wai Fat  CHAN)
  • 榮 盧 (Wing LO)
  • 偉敏 邵 (Wai Man SIU)
  • 紹良 秦 (Ziv Siu Leung CHUN)
  • 文通 曾 (Man Tong TSANG)
  • 君傑 莫 (Eddy Kwan Kit MOK)
  • 哲藝 李 (Che Yi LEE)
  • 世豪 蔡 (Sai Ho CHOI)
  • 志偉 黃 (John, Chi Wai WONG)
  • 友榮 陳 (Ewing, Yau Wing CHAN)
  • 焯華 陳 (Billy Cheuk Wah CHAN)
  • 家賜 郭 (Kary KWOK)
  • 澤明 鍾 (Chai Ming CHUNG)
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