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1983 » Soviet union » Scénická a kostýmní tvorba národní expozice

Curator:Sokolov Vjačeslav
Authors of Theme:Alexandr Vasiljev

Svaz sovětských socialistických republik

Since the Soviet Union has just celebrated its 60th anniversary, it presents sixty of its young scenographers at the Prague Quadrennial 1983. They all love their profession and are striving to improve their skills. In the past four years Soviet scenography has acquired new names. Although because of the small display area each artist is represented by just one work or two, it is nevertheless possible to trace the basic trends of current Soviet scenography as those of continuing the traditions of the 70's creating an integral and plastic image of a play to match the internal drama conflict, and a return, in this new phase, to the one-set-for-each-act principle of employing stage space. At the same time works by commencing designers bring convincing proof of their search for the new, which will certainly contribute to the overall enrichment of Soviet stage design. This applies to their efforts to add aesthetic qualities to theatre technology and their inherent attitude to stage space as a world in its own right. Many young scenographers are building their work on what has been done by their teachers, such as E. Kochergin, D. Lider, V. Levental, A. Freibergs and G. Brim. Recent years have seen a marked change in available training opportunities in stage design, geographically. Whereas some time ago scenographers were predominantly trained at the Surikow Institute of Fine Arts in Moscow and at the Institute of Theatre, Music and Cinematography in Leningrad, now there are original scenographic schools in other national republics (operating under the auspices of the Academies of Arts and Art Institutes in their capitals: Kiev, Riga, Tbilisi, Vilnius and Tashkent). Stage designers are also trained at the Scenographic Department of the School of the Moscow Art Theatre and the Memory of 1905 Art School. Talented young people are working in Moscow and Leningrad, in the capitals of union republics, Siberia and the Soviet Far East. Some are already chief designers, like D. Krymov, I. Nesmeyanov, B. Kulmamedov, O. Sheintsis. Others have just graduated and are trying to find their own way in art (A. Borovsky, K. Gevorkyan). We wish them all every success at the Prague Quadrennial 1983.


Exhibiting artists / ateliers

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  • Adomas Jacovskis
  • Galius Kličius
  • Teimuraz NINUA
  • Ilona Gansovskaja
  • Igor Četvěrtkov
  • Vladimir Arefijev
  • Jurij Avgustovlč
  • Irena Babičevová
  • Ludmila Bezpalčajová
  • Vladimir Bojer
  • Alexandr Borovskij
  • Anatolij Čečik
  • Irina Čerednikovová (Irina Cherednikova)
  • Larisa Černovová
  • Danila Danilin (Korogodskij)
  • Juris Dimiters
  • Karen Gevorkjan
  • Natalia Gomonova
  • Jevgenij Gorochovskij
  • Naděžda Gultjajevová
  • Helena Idzialiteová-Dautarteneová
  • Tan Jenikejev
  • Augis Kepezinskas
  • Bjašim Karadžajev
  • Vladimir Karaševskij
  • Algis Karinjauskas
  • Svjatoslav Kašteljančuk
  • Valentina Komolovová
  • Vladimir Kovalčuk
  • Zifrida Kovalčuková-Ataleová
  • Dmitrij Krymov
  • Bajram Kulmamedov
  • Marija Levickaja
  • Alexandr Lisijanskij
  • Igor Nesmejanov
  • Alexandr Orlov
  • Semjon Pastuch
  • Marina Perčichinová
  • Natalia Povagová
  • Natalia Rudjuková
  • Maria Rybasovová
  • Vladimir Rydannik
  • Petr Sapegin
  • Olga Savarenskaja
  • Taťjana Spasolomskaja
  • Jelena Stěpanovová
  • Ibragim Supjanov
  • Oleg Šejntsis
  • Šmagi Šeklašvili
  • Ksenia Šimanovskaja
  • Vaag Tevanjan
  • Nikita Tkačuk
  • Tuuliki Tolli
  • Vjačeslav Tolščln
  • Oleg Turkov-Majatskij
  • Jurij Ustinov
  • Natalia Vasiljevová
  • Michail Verjovočkin
  • Valerij Viktorov
  • Olga Zemcovova
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